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Medieval and Renaissance Drama in England
Annual collection of articles and book reviews on Medieval and Renaissance literature, excluding Shakespeare
Bulletin
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
For Fear of Pain
Oh, you hurt me, Sir! ... are you going to do it again? – A patient, 1832 For Fear of Pain offers a social history of the operating room in Britain during the final decades of painful surgery. It asks profound questions: how could surgeons operate upon conscious patients? How could patients submit? It presents a revisionist view of surgery, hygiene, nursing, military and naval surgery and the introduction of anaesthesia. For Fear of Pain seeks to unite the clinical with the human. Drawing on fresh evidence, it offers powerful insights into the experience of painful surgery. It is populated by the characters, ambitions, and animosities of the ‘great men’ of contemporary medicine, by the young men who grew into surgeons, and by the patients whose ‘fortitude’ was so notable.
Experiments in Egyptian Archaeology
This fresh and engaging volume examines the evidence for masonry in ancient Egypt. Through a series of experiments with over two hundred replica tools, Denys A. Stocks brings alive the methods and practices of ancient Egyptian craftworking.
Antonio and Mellida
Antonio and Mellida was the first play by John Marston performed by the newly-revived Paul's Company in 1599. Marston sought to display a variety of talents--comic, tragic, satiric and historical--advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centuries. Marston displays a detailed knowledge of the dramatic works of Shakespeare, Seneca, Kyd and Nashe as well as the prose of Sidney, Erasmus, Montaigne, Florio and others. This edition includes a comprehensive introduction, an analysis of staging, and full commentary. The text is based on a collation of all known copies of the 1602 Quarto and is presented in a thoroughly modernized format.
Thomas Middleton in Context
An illuminating study of all works in the newly enlarged Middleton canon, placing them in personal, national, international and theatrical contexts.
Shakespeare Seen
Shows how illustrated editions and paintings of the plays were originally produced and read as critical, social and political statements.
