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Loren Mozley
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Loren Mozley
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Loren Mozley
None
Humanities
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Midcentury Modern Art in Texas
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in ...
The Alcalde
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Memories and Images
Donald Vogel arrived in Dallas at the beginning of World War II after a sojourn at the Art Institute of Chicago. "The feeling of space, its clear clean atmosphere, the calm courtesy of the people and promises of growth all gave hope to a young, would-be painter. What I could not have anticipated was that there would be no gentle growth: it exploded in every direction and the money followed." Along with the wealth came East Coast art dealers who followed the oil field trails throughout Oklahoma and Texas. They brought dubious art and fake old masters, but the same growth that attracted disreputable dealers also made it possible for Vogel to be part of bringing fine works of art to Dallas, fir...
The Splendid Drunken Twenties
This generous, representative sampling from the daybooks of Carl Van Vechten, one of the most significant figures of the Harlem Renaissance, is a rich resource and major reference tool for reconstructing the culture of 1920s New York, the social milieu during Prohibition, and more. Bruce Kellner has provided copious, informative notes identifying central figures and clarifying details.Between 1922 and 1930, Van Vechten kept a daily record of his activities. Not exactly diaries, but more than appointment books, the daybooks record his daily comings and goings as well as the alliances, drinking habits, feuds, and affairs of a wide number of luminaries of the period. They catalog tales of bootlegging, literary teas, shifting cliques of artists and writers, cabaret slumming, sexual and social peccadilloes, and a seemingly endless sequence of parties.
Spud Johnson & Laughing Horse
Udall's lively account of the quirky editor, poet, journalist, diarist, and printer Walter Willard "Spud" Johnson focuses especially on brilliant and diverse artists he befriended and published. Together they helped to create a new voice for the Southwest.
The Alcalde
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
