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The Oxford Handbook of the Apocrypha
The Oxford Handbook of the Apocrypha offers an overview of the various Apocrypha and relevant topics related to them by presenting updated research on each individual apocryphal text in historical context, from the late Persian and early Hellenistic periods to the early Roman era. The Handbook gives special attention to the place of the Apocrypha in the context of Early Judaism, the relationship between the Apocrypha and texts that came to be canonized, the role of women and female characters, the portrayal of gender and sexuality, the interplay between theology, ethics, and halakha, and the relationships between the Apocrypha and the Septuagint, as well as their reception history in the Western world.
Interpreting Apocalyptic Literature
"An appreciation for the rich diversity of literary genres in Scripture is one of the positive features of evangelical scholarship in recent decades." —David M. Howard Jr., series editor At one time, Old Testament apocalyptic literature was relegated to the more obscure reaches of biblical scholarship, acceptable to occasionally refer to, but too thorny to delve into deeply. However, in recent decades it has moved to the forefront of research. The rich veins of insight to be mined in the book of Daniel and other apocalyptic texts are being rediscovered. Richard A. Taylor has crafted a handbook to explore those riches and uncover a way to understand apocalyptic literature more fully. Taylor...
The Book of Daniel and the Apocryphal Daniel Literature
This volume illuminates the full extent of the ancient and mediaeval apocryphal texts associated with or attributed to Daniel (including the Daniel legenda, the apocryphal apocalypses, and the prognostica) and investigates their relationship with the biblical Book of Daniel.
Four Kingdom Motifs before and beyond the Book of Daniel
The four kingdoms motif enabled writers of various cultures, times, and places, to periodize history as the staged succession of empires barrelling towards an utopian age. The motif provided order to lived experiences under empire (the present), in view of ancestral traditions and cultural heritage (the past), and inspired outlooks assuring hope, deliverance, and restoration (the future). Four Kingdom Motifs before and beyond the Book of Daniel includes thirteen essays that explore the reach and redeployment of the motif in classical and ancient Near Eastern writings, Jewish and Christian scriptures, texts among the Dead Sea Scrolls, Apocrypha and pseudepigrapha, depictions in European architecture and cartography, as well as patristic, rabbinic, Islamic, and African writings from antiquity through the Mediaeval eras.
Music in the Apocalyptic Mode
In this volume, the first panoramic study of music in the apocalyptic mode, an international and trans-disciplinary array of scholars and composers explore the resonance of the ancient biblical Revelation of John across the centuries in musical works as diverse as El Cant de la Sibil·la, the Dies Irae, cantatas and oratorios by Bach and Telemann, Wagner's Der Ring des Nibelungen, Schoenberg’s Second String Quartet, African American Spirituals, Messiaen’s Quatuor pour la fin du temps, Christian “ApokRock,” Hip-hop, Grimes’s album Miss Anthropocene, and the songs of Bob Marley and Bob Dylan. This innovative volume will engage scholars, students, and all those interested in the intersection of music, religion, history, and popular culture.
Experiencing the Apocalypse at the Limits of Alterity
Applying current narrative criticism to the study of the Apocalypse, Hongisto underscores the oral nature of the narrative vis-à-vis the roles of the readers/listeners. EXPERIENCING THE APOCALYPSE AT THE LIMITS OF ALTERITY probes the interplay of meaning creation as readers/listeners encounter the narrative. The author shows how readers/listeners alike partake in the narrative design and become constructors of the narrative, given their own life experiences. Thus, the overarching reading context assists in the creation of a narrativity for the text. The form of the Apocalypse along with its imagistic quality convey a message that is not primarily cognitive, but is delivered and grasped by a sense of alterity encompassing the imaginary world of the text and the real world of the readers/listeners.
American Apocalyptic
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Revelations of Ideology: Apocalyptic Class Politics in Early Roman Palestine
In Revelations of Ideology, G. Anthony Keddie proposes a new theory of the social function of Judaean apocalyptic texts produced in Early Roman Palestine (63 BCE–70 CE). In contrast to evaluations of Jewish and early Christian apocalyptic texts as “literature of the oppressed” or literature of resistance against empire, Keddie demonstrates that scribes produced apocalyptic texts to advance ideologies aimed at self-legitimation. By revealing that their opponents constituted an exploitative class, scribes generated apocalyptic ideologies that situated them in the same exploited class as their constituents. Through careful historical and ideological criticism of the Psalms of Solomon, Parables of Enoch, Testament of Moses, and Q source, Keddie identifies an internally diverse tradition of apocalyptic class rhetoric in late Second Temple Judaism.
Dorotheus of Gaza and Ascetic Education
Dorotheus of Gaza and Ascetic Education approaches fundamental questions about the role and function of education in late antiquity through a detailed study of the thought of Dorotheus of Gaza, a sixth-century Palestinian monk. It illumines the thought of a significant figure in Palestinian monasticism, clarifies relationships between ascetic and classical education, and contributes to debates about how different educational projects related to late-antique cultural change. Dorotheus appropriates and reconfigures classical discourses of rhetoric, philosophy, and medicine and builds on earlier ascetic traditions. Education is a powerful site for the reconfiguration and reproduction of culture...
The Oxford Handbook of the Bible and American Popular Culture
The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests future directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters (such as Adam, Eve, David and Jesus) and themes (like Creation, Hell, and Apocalyptic) in popular culture; the Bible in popular cultural genres (for example, film, comics, and Jazz); and "lived" examples (such as museums and theme parks). The Handbook concludes with a section taking stock of methodologies and the impact of the field on teaching and publishing. The Oxford Handbook of the Bible and American Popular Culture represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of both the Bible and its role in American popular culture.
