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Fernsehen: Europäische Perspektiven
Für den vorliegenden zweisprachigen Band (deutsch/englisch) haben sich Wissenschaftlerinnen und Wissenschaftler aus acht europäischen Ländern mit den Produktionskontexten, der Entwicklung von neuen Genres und einer neuen Fernsehästhetik, aber auch mit Publikumsperspektiven beschäftigt, um so eine Vielfalt an europäischen Perspektiven auf das alte und gleichzeitig neue Medium Fernsehen zu bieten. Vor dem Hintergrund von Digitalisierung, Globalisierung, Second- und Multi-Screen-Umgebungen und der ständigen zeitlichen und räumlichen Verfügbarkeit der bewegten Bilder schreibt sich das Fernsehen mit seinen multiplen Facetten kontinuierlich weiter. Es reflektiert dabei aktuelle gesellschaftliche Entwicklungen und verleibt diese ein. Das Fernsehen mit seiner populären Anziehungskraft ist dabei sowohl nationales als auch transnationales Phänomen. Dies ist Anlass, sich mit dem Medium Fernsehen aus einer aktuellen und europäischen Perspektive zu beschäftigen.
Intertextuality and the Media
The essays in this volume focus on one of the most influential yet confusing concepts in modern critical thinking, that of intertextuality.
Big Brother
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The Deconstruction of Transgenerational Trauma Within the Skywalker Family
Master's Thesis from the year 2023 in the subject Psychology - Clinical Psychology, Psychopathology, Prevention, grade: 2.0, , language: English, abstract: In the realm of scientific inquiry, the Star Wars saga emerges as a unique and enduring subject of study, captivating the intellectual curiosity of millions worldwide. This paper delves into the Skywalker family, utilizing psychotherapy and film analysis to illuminate the interplay of psychological trauma, family dynamics, and resilience. The Star Wars narrative transcends cinematic entertainment, offering insights into the human condition. Film as a storytelling medium allows for empathetic engagement with characters' experiences, servin...
Watching the Lord of the Rings
How did audiences across the world respond to the films of The Lord of the Rings? This book presents findings from the largest film audience project ever undertaken, drawing from 25,000 questionnaire responses and a wide array of other materials. Contributors use these materials to explore a series of widely speculated questions: why is film fantasy important to different kinds of viewers? Through marketing, previews and reviews, debates and cultural chatter, how are audiences prepared for a film like this? How did fans of the book respond to its adaptation on screen? How do people choose their favorite characters? How was the films' reception shaped by different national and cultural contexts? The answers to these questions shed fresh light on the extraordinary popularity of The Lord of the Rings and provide important new insights into the global reception of cinema in the twenty-first century.
German Football
This topical book provides unprecedented analysis of football's place in post-war and post-reunification Germany. The expert team of German and British contributors offers wide-ranging perspectives on the significance of football in German sporting and cultural life, showing how it has emerged as a focus for an expression of German national identity and pride in the post-war era. Some of the themes examined include: footballing expressions of local, regional and national identity ethnic dynamics, migrant populations and Europeanization German football’s commercial economy women’s football. Key moments in the history of German football are also explored, such as the victories in 1954, 1972 and 1990, the founding of the Bundesliga, and the winning bid for the 2006 World Cup.
Television Studies and Research on Series
Zusammenfassung: Television series enjoy an unbroken - popular as well as scholarly - attention. It is surprising, however, that in works on seriality in media and cultural studies, approaches to television studies and television history still play a rather minor role. Yet seriality must always be thought of in terms of television, since the two have always been indissolubly interwoven - economically, technically, and aesthetically. But what else constitutes the serial in television and how does it change its face in times of digitalization, streaming and interactivity? Is it possible to think of a genuine serial theory of the televisual - and what, in turn, can be learned from this for seri...
