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Performing Early Christian Literature
Performance creates a unique space for audience experience and influences how traditions, like the Gospels, are received and interpreted.
Writing Your First Play
Writing Your First Play provides the beginning playwright with the tools and motivation to tell a story through dramatic form. Based in a series of exercises which gradually grow more complex, the books helps the reader to understand the basic elements of drama, conflict, and action. The exercises help the reader to become increasingly sophisticated in the use of dramatic formats, turning simple ideas into a viable play. Topics include: the role of action in drama; developing action and conflict to reveal character; writing powerful and persuasive dialog; writing from personal experience:pros and cons; how to begin the story and develop the storyline. This new edition is thoroughly updated a...
Theatre as Human Action
Theatre as Human Action: An Introduction to Theatre Arts, Third Edition is designed for the college student who may be unacquainted with many plays and has seen a limited number of theatre productions. Focusing primarily on four plays, this textbook aims to inform the student about theatre arts, stimulate interest in the art form, lead to critical thinking about theatre, and prepare the student to be a more informed and critical theatregoer. The four plays central to this book are the tragedy Macbeth, the landmark African American drama A Raisin in the Sun, the American comedy classic You Can’t Take It with You, and—new to this edition—the contemporary hip-hop musical Hamilton. At the ...
Teaching Theatre Today: Pedagogical Views of Theatre in Higher Education
Through thirteen essays, Teaching Theatre Today addresses the changing nature of educational theory, curricula, and teaching methods in theatre programs of colleges and universities of the United States and Great Britain.
Reimagining Greek Tragedy on the American Stage
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.
Puppets
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Montevallo
Montevallo: a mountain in a valley. This bucolic, natural phrase aptly describes the beauty of this central Alabama town. Early settlers were drawn to the area by its abundant agricultural and mineral resources, and in 1826, the tiny village of Montevallo was born. The nature of the town changed significantly in 1896 with the founding of the Alabama Girls Industrial School, now the University of Montevallo. The Olmsted Brothers firm of Brookline, Massachusetts, laid out the central campus, and its master plan still inspires current development. Since 1896, the focus of the town has shifted from agriculture and mining to education. The universitys mission is to be Alabamas Public Liberal Arts College. Prominent figures include writer and veteran E. B. Sledge, actresses Polly Holliday and Rebecca Luker, and Major League Baseball player Rusty Greer.
1975 Chacahoula
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Theatre Profiles
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From Aphra Behn to Fun Home
Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in...
