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Modern Reading Text in 4/4
  • Language: en
  • Pages: 100

Modern Reading Text in 4/4

This book has become a classic in all musicians' libraries for rhythmic analysis and study. Designed to teach syncopation within 4/4 time, the exercises also develop speed and accuracy in sight-reading with uncommon rhythmic figures. A must for all musicians, especially percussionists interested in syncopation.

The Poetic Thoughts and Verses of Louie Bellson
  • Language: en
  • Pages: 40

The Poetic Thoughts and Verses of Louie Bellson

Miscellaneous Percussion Music - Mixed Levels

Louie Bellson Honors 12 Super-drummers
  • Language: en
  • Pages: 80

Louie Bellson Honors 12 Super-drummers

Actual recordings from the CD "Their Time Was the Greatest!"

Odd Time Reading Text
  • Language: en
  • Pages: 136

Odd Time Reading Text

  • Type: Book
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  • Published: 1999-10-25
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  • Publisher: Alfred Music

Now a standard in music education literature, this in-depth study takes the fear out of playing in time signatures other than 4/4. In a methodical manner, this book aids in rounding out any player's rhythmic and reading vocabulary. Perfect for all musicians wanting to play odd times with ease.

Tales from the Cymbal Bag
  • Language: en
  • Pages: 288

Tales from the Cymbal Bag

  • Type: Book
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  • Published: 2010-10-01
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  • Publisher: Unknown

None

Billy Gladstone
  • Language: en

Billy Gladstone

Miscellaneous Percussion Music - Mixed Levels

The Ellington Century
  • Language: en
  • Pages: 336

The Ellington Century

“The Ellington Century is a wonderful journey through the world of music and art. If you are already an aficionado of Ellington's music, you will enjoy the author's informative and detailed analysis of the composer's work and musical influences. If you are less familiar, this book puts Ellington's music in perspective with the great ‘classical’ composers of the twentieth century. David Schiff's remarkable insight into the historical and musical parallels between these composers is a delight to read and his references are vast, from Schoenberg’s Pierrot Lunaire and Stravinsky’s Agon to television’s Sesame Street. Schiff writes with a sense of humor and an enthusiasm for Ellington'...

Sight Reading: The Rhythm Book
  • Language: en
  • Pages: 89

Sight Reading: The Rhythm Book

Sight Reading: the Rhythm Book is a graded workbook for instrumentalists and vocalists designed to develop sight reading and rhythmic skills by presenting a course of progressive lessons and studies specifically aimed at these areas. Many different rhythmic groupings and writing styles and clearly presented and analyzed. This book will provide invaluable assistance to all musicians and lead to a greater understanding of the fundamentals of rhythm. Through the development of the counting method employed in this book and the analysis of rhythmic structure-identification of the various notes, rests, groups and signs used-the student will attain greater ease and facility when approaching sight reading material.

Jet
  • Language: en
  • Pages: 64

Jet

  • Type: Magazine
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  • Published: 1952-12-04
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  • Publisher: Unknown

The weekly source of African American political and entertainment news.

Clark
  • Language: en
  • Pages: 368

Clark

Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim. Terry takes us behind the scenes of jazz history as he introduces scores of legendary greats—Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Doc Severinsen, Ray Charles, Thelonious Monk, Billie Holiday, Sarah Vaughan, Coleman Hawkins, Zoot Sims, and Dianne Reeves, among many others. Terry also reveals much about his own personal life, his experiences with racism, how he helped break the color barrier in 1960 when he joined the Tonight Show band on NBC, and why—at ninety years old—his students from around the world still call and visit him for lessons.