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L. J. M. Daguerre
This book contains the definitive account of Daguerre and the daguerreotype. It covers Daguerre's early work as the perfecter and promoter of the diorama; his collaboration with Niépce, the first man to produce a photograph, imperfect though it was; his extension of Niépce's experiments after Niépce's death; and the eventual development of the daguerreotype : a remarkably sensitive positve on a metal plate.
Speculating Daguerre
Louis Jacques Mandé Daguerre (1787-1851) was a true nineteenth-century visionary--a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In Speculating Daguerre, Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before. Drawing...
Louis Daguerre and the Story of the Daguerreotype
In the early 18th century the only way to preserve an image was with a pen, paper, or other drawing tools. Though several people had made progress in the development of photography, Louis Jacques Mande Daguerre is perhaps the most famous. Daguerre spent most of his life as an artist. He was used to manipulating light and working with the chemicals of his paints. He sketched the images from a camera obscura and created realistic drawings. Using the camera obscura, Daguerre made an early photograph. In partnership with Niepce, Daguerre sought to make a lasting image. Though Niepce died in 1833, Daguerre continued to experiment. Between 1835 and 1837, he perfected his process, an early form of photography. Book jacket.
The Silver Canvas
By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.
First Exposures
An exact date for the invention of photography is evasive. Scientists and amateurs alike were working on a variety of photographic processes for much of the early nineteenth century. Thus most historians refer to the year 1839 as the “first” year of photography, not because the sensational new medium was invented then, but because that is the year it was introduced to the world. After more than 175 years, and for the first time in English, First Exposures: Writings from the Beginning of Photography brings together more than 130 primary sources from that very year—1839—subdivided into ten chapters and accompanied by fifty-three images of significant visual and historical importance. T...
The Art of the Daguerreotype
In August 1839, a major historical event, Daguerre's invention of photography, was announced in Paris. This book show that in the first 20 years of this process, photographs of outstanding quality were made, many of them carefully hand-tinted by specialists.
