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Composing Dissent
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
Singing the News of Death
Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
The Netherlands
The Netherlands is the first concise, authored introduction available on the topic. The Netherlands has been a key entrepot in the world capitalist system for centuries, but because of relatively recent demographic changes, it has become symbolic of the clash of European and Islamic cultures. Perhaps the most secular nation in the world, it now houses a very large Islamic population. That population is the fruit of globalization, and how the Dutch have responded to this broad cultural shift tells us a great deal about the changing nature of national identity in the age of globalization. In particular, Frank Lechner explains how globalization calls forth very particularistic and localist responses. Along with providing a broad overview of the contemporary Netherlands, Lechner will focus on how globalization is generating new discourses, cultures, and state policies. Among other topics, the book will feature chapters on soccer culture, religion (and the lack thereof), the media, the welfare state, multiculturalism, and the Netherlands place in the larger European Union.
Traces of Tollius
Joannes Tollius (c. 1550-c. 1620) was born in Amersfoort and began his career as music director of the Amersfoort Chapel of Our Lady. He flourished in Italy as maestro di capella of the cathedrals of Rieti (1583-84) and Assisi (1584-86), and as cantor tenorista in Rome (1586-88) and Padua (1588-1601). He ended his career as an exceptionally well-paid singer in the court chapel of Christian IV in Copenhagen (1601-03). In 1590, a collection of three-part motets appeared under the surprising title Motecta de dignitate et moribus sacerdotum (motets about the dignity and morals of priests), presumably intended as a denunciation of the priests who had had him imprisoned in Assisi on charge of here...
The Routledge Companion to Global Film Music in the Early Sound Era
In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.
Pieter de Hooch
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.
The Literature of the Arminian Controversy
The Literature of The Arminian Controversy: Religion, Politics and the Stage focuses on the turbulent dawn of Dutch Golden Age literature, when the debate over the theology of Arminius divided the Republics literary world, acting as a catalyst for literary and cultural change and innovation. The book traces the impact of disputed ideas on grace and predestination in satirical literature, poetry and plays, and analyses the theological and political works of the period as literature, focussing on the rhetoric, tropes and metaphors of politico-religious controversy. Taking into account a wide array of sources, ranging from theological treatises to broadsides and libel poetry, it offers a deeper contextualisation of some of the most canonical works of the period, such as the writings of Grotius, Coornhert, and Joost van den Vondel, the Republics greatest tragic poet, and reconsiders the relationship between literature and intellectual history.
Building musical culture in Nineteenth-century Amsterdam
When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social norms, and technology. Using the example of Amsterdam's Concertgebouw in the nineteenth century, Cressman shows how its design was in part intended to help discipline and educate concert audiences to listen attentively - and analysis of its creation and use offers rich insights into sound studies, media history, science and technology studies, classical music, and much more.
The Lute in the Netherlands in the Seventeenth Century
The lute played a central role in the rich musical culture of the seventeenth-century ‘Golden Age’ of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singers. Though mainly an instrument of the social elite and the aristocracy, it was also played by the numerous and prosperous burgher class. The first part of the book deals with psalm settings for the lute; the way professional lutenists coped with the harsh rules of the free market; Leiden as a veritable international lute centre; and the different types of lutes that can be reconstructed on the basis of...
