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This volume brings together for the first time all the papers Louis Sullivan intended for a public audience, from his first interview in 1882 to his last essay in 1924. Organized chronologically, these speeches, interviews, essays, letters to editors, and committee reports enable readers to trace Sullivan's development from a brash young assistant to Dankmar Adler to an architectural elder statesman. Robert Twombly, an authority on Sullivan's work and life, has introduced each document with a headnote explaining its significance, locating it in time and place, and examining its immediate context. He has also provided a general introduction that analyzes Sullivan's writing style and objective...
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for...
Collection of photographs showing examples of the surviving work of the great American architect, Louis Sullivan.
On the eve of the twentieth century, Chicago was rapidly outgrowing its borders. Architect Louis Henry Sullivan answered the demand for more office space, theaters, department stores, and financial centers by pioneering what would become an essential model for city life - the skyscraper. Louis Sullivan's designs stand today as leading exemplars of Chicago School architecture. Frank Lloyd Wright, who worked as an assistant to Sullivan, liked to refer to him as his "lieber Meister," or "beloved master." Having spent much of his career in a late Victorian world that bristled with busy, fussy ornament for ornament's sake, Sullivan tossed all that bric-a-brac into the fire with the now famous dic...
Louis Henry Sullivan traces his life and oeuvre. It addresses his most famous buildings - including the Auditorium Building in Chicago, the Wainwright Building in Saint Louis, the Guaranty Building in Buffalo, and the National Farmers Bank in Owatonna, Minnesota - and reveals many of his lesser-known projects to be underappreciated masterpieces. For the first time, Sullivan's work, which has often been misappropriated, is explored in its historical and theoretical context.
A reprint of the definitive 1918 edition, this bold, thought-provoking volume by one of America's most influential architects features dialogs, or "chats," about architecture, art, education, and life in general. 17 illustrations.
Although the world famous architect Louis Sullivan praised John Edelmann at length as a friend, philosopher, gifted draftsman and above all as his "benefactor" in his The Autobiography of an Idea, he avoided any mention of having worked for two years as an apprentice in Edelmann's architectural office and the influence that experience obviously had on his future work. This book corrects that deficiency in Sullivan's narrative. Through a comparison of their buildings and ornamental designs, the differences in the approaches of these two men to architectural planning and the debt Sullivan owed to Edelmann's unique ornamental style in the development of his own world renowned ornament is demonstrated. Edelmann is also revealed as the young architect who not only took Sullivan on as an apprentice, but in time introduced him to his future partner Dankmar Adler, only to be betrayed in the end by Sullivan for having done so.
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