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The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
In the history of Chinese calligraphy, few are more famous than the eighth-century statesman Yan Zhenqing (709-785). His style is still taught today as a standard, and Chinese bookstores the world over stock inexpensive reproductions of his works for sale as copybooks. Yet Yan's style cannot be called conventionally attractive. "Correct," "severe," "serious," "forceful" are terms habitually applied to describe his writing--rarely has his calligraphy been called graceful or beautiful. How, then, did Yan earn such an eminent place in the history of art? In The Upright Brush, Amy McNair argues for the political rather than purely aesthetic basis for Yan Zhenqing's artistic reputation. She shows...
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Although Antonio Alday Gutierrez dreams of great success when coming to America, he accepts work as a security guard at a shopping mall and lives in a modest apartment. To soften the bleak reality of his disappointing life, Antonio invents a privileged Peruvian past to mislead his new American friends. He also sends letters to his family in Peru boasting of a thriving business and large home. This double deception leads Antonio to commit an act of desperation to conceal the drab reality of his new American life. Told in a series of flashbacks, letters, and excerpts from notebooks, this epistolary novel takes readers on a cultural and spiritual journey, touching on themes of self-identity, memory, border crossing, and death. Munoz layers the narrative with various voices, times, and places to offer a profound vision of the immigrant experience. One of the first immigrant stories told from the Peruvian point of view, this novel provides a portrait of ambition, self-deception, and acceptance.
The first monograph devoted to women artists of the Republican period, The Golden Key recovers the history of a groundbreaking yet forgotten generation and demonstrates that women were integral to the development of modern Chinese art.
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