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The Feeling Sonnets
The Feeling Sonnets are written in an English that is translingual not only because it engages other languages but also because it reflects upon itself in uncertainty as if it were the work of a language learner. Words, idioms, sentences, poetic conventions are made strange, dislocated, recontextualised to convey some of the linguistic effects of the migration experience, the experience of non-nativeness. The book includes four cycles of fourteen unrhymed, unmetered, logically Petrarchan sonnets. The first cycle asks about the relationship between interpretation and emotion: whether 'we feel the feelings that we call ours'. The second, mainly composed of 'daughter sonnets', describes bringin...
The Role of Music in European Integration
The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensembles, events, musical organisations and ideas; questions of unity and diversity from Bergen to Tel Aviv, from Lisbon to Baku; and deals with the tension between local, regional and national music within the larger confluence of European music. The status of classical and avante-garde music, and to a degree rock and pop, during Europe's development the past sixty years are also reviewed within the context of eurocentrism – the domination of European music within world music, a term propagated by anthropologists and ethnomusicologists several decades ago and based on multiculturalism. Conversely, the search for a musical European identity and the ways in which this search has in turn been influenced by multiculturalism is an ongoing, dynamic process.
Daniels' Orchestral Music
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. ...
Encyclopedia of Italian Literary Studies
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Encyclopedia of Italian Literary Studies: A-J
Publisher description
At Home with Ivan Vladislavić
At Home With Ivan Vladislavić is the first comprehensive analysis of the works of Ivan Vladislavić. Bringing a flaneur’s "internal GPS" to postcolonial Johannesburg, Vladislavić established a critical sense of home via an intimate knowledge of geography and history. This sense of belonging can have positive ecological effects as we tend to protect what we know. The flaneur’s deep word hoard also helped him to develop a minimalist style, which was not only a means of living sustainably in the city, but in its humour and close attention to detail a way to make greening the city more of a joy than a duty. In this way, Vladislavić created a culture of sustainability. Introduction and Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Cyprus To-day
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Klangwelten
Das Buch ist der künstlerischen Evolution und Entfaltung des Dirigenten Yordan Kamdzhalov, sowie seinem Verständnis für die vielschichtige Einigung von Musik, Philosophie und Interpretationskunst gewidmet. Seine "Bekenntnisse" betreffen die gesamtkünstlerische Vision, die konzeptionellen Grundlagen seines heuristischen Arbeitssystems "Globalisierung der musikalischen Struktur", sowie das Dirigieren als Philosophie der Kommunikation und als Philosophie des Prozesses. Anhand vieler Pressestimmen aus den nationalen und internationalen Medien wird seine Dirigierkunst umrissen. Yordan Kamdzalov wurde mit internationalen Preisen ausgezeichnet. 2010 war er "Dirigent des Jahres", der Nationale Bulgarische Rundfunk zeichnete ihn darüber hinaus als "Musiker des Jahres 2011" aus. Dieser Band enthält zahlreiche Abbildungen des Künstlers Spartak Paskalevski sowie Resümees in deutscher, englischer, norwegischer, bulgarischer, russischer, japanischer und chinesischer Sprache.
Musical Opinion
Issues for include section: The Organ world.
Oliva del Garda
Die junge Ornella Ronchetti, Spross einer mächtigen Olivenbauern-Dynastie, stürzt vom Felsen der Burg Arco. Die Erklärung der Familie: Selbstmord. Rosina Gamper, die auf dem Landgut der Ronchettis Deckenfresken restauriert, hat daran so ihre Zweifel. Sie kratzt an der Fassade der Vorzeige-Familie und stößt auf tiefe Gräben und vergiftete Stimmung. Als Ornellas beste Freundin Marta spurlos verschwindet, ist Rosina nicht mehr zu halten. Doch ermitteln muss sie allein, denn mit Mario, dem Ex-Kardinal ihres Herzens, hat sie keine Zukunft. Oder doch?
