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Focus: Music of Northeast Brazil
Focus: Music of Northeast Brazil examines the historical and contemporary manifestations of the music of Brazil, a country with a musical landscape that is layered with complexity and diversity. Based on the author’s field research during the past twenty years, the book describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia’s black cultural renaissance, the traditions of rural migrants, and currents in new popular music. Part One, Understanding Music in Brazil, presents important issues and topics that encompass all of Brazil, and provides a general survey of Brazil’s diverse musical landscape. Part Two, Creating Music in Brazil, presents historical trajectories and contemporary examples of Afro-Brazilian traditions, Carnival music, and northeastern popular music. Part Three, Focusing In, presents two case studies that explore the ground-level activities of contemporary musicians in Northeast Brazil and the ways in which they move between local, national, and international realms. The accompanying downloadable resources offer vivid musical examples that are discussed in the text
The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory
This handbook explores the ways in which histories of colonialism and postcolonial thought and theory cast light on our understanding of the ancient Mediterranean world and the discipline of Classics, utilizing a wide body of case studies and providing avenues for future research and discussion. It brings together chapters by a wide, international, and intersectional range of scholars coming from a variety of backgrounds and sub-disciplinary perspectives, and from across the chronological and geographical scope of Classics. Chapters cover the state of current research into ancient Mediterranean and South, Central, and West Asian histories. They provide case studies to illustrate both how pos...
Let's Make Some Noise
Clarence Bernard Henry's book is a culmination of several years of field research on sacred and secular influences of àsé, the West African Yoruba concept that spread to Brazil and throughout the African Diaspora. Àsé is imagined as power and creative energy bestowed upon human beings by ancestral spirits acting as guardians. In Brazil, the West African Yoruba concept of àsé is known as axé and has been reinvented, transmitted, and nurtured in Candomblé, an Afro-Brazilian religion that is practiced in Salvador, Bahia. The author examines how the concepts of axé and Candomblé religion have been appropriated and reinvented in Brazilian popular music and culture. Featuring interviews ...
Mama Africa
An examination of the meanings of blackness in the Brazilian state of Bahia, which is often called the most African part of Brazil.
Bossa Mundo
Brazilian music has been central to Brazil's national brand in the U.S. and U.K. since the early 1960s. From bossa nova in 1960s jazz and film, through the 1970s fusion and funk scenes, the world music boom of the late 1980s and the bossa nova remix revival at the turn of the millennium, and on to Brazilian musical distribution and branding in the streaming music era, Bossa Mundo: Brazilian Music in Transnational Media Industries focuses on watershed moments of musical breakthrough, exploring what the music may have represented in a particular historical moment alongside its deeper cultural impact. Through a discussion of the political meaning of mass-mediated music, author K. E. Goldschmitt...
The Brazilian Sound
At the second International Song Festival in 1967, Milton Nascimento had three songs accepted for competition. He had no intention of performing them--he hated the idea of intense competition. In fact, Nascimento might never have appeared at all if Eumir Deodato hadn't threatened not to write the arrangements for his songs if he didn't perform at least two of them. Nascimento went on to win the festival's best performer award, all three of his songs were included soon afterward on his first album, and the rest is history. This is only one anecdote from The Brazilian Sound, an encyclopedic survey of Brazilian popular music that ranges over samba, bossa nova, MPB, jazz and instrumental music a...
The Vinyl Book
Black is back In diesem Buch finden Sie 101 besondere Platten, die ich für kein Angebot der Welt hergeben würde und aus 25.000 Platten ausgesucht habe. Jede einzelne ist mir ans Herz gewachsen. Seit 45 Jahren höre ich Musik. Das Musikhören habe ich zu meinem Beruf gemacht. Bisher kann ich kein Instrument spielen und wie meine Familie behauptet: auf gar keinen Fall singen. Was mir Freude bereitet, ist der Sound. Und hier pflege ich natürlich auch Vorlieben. Wie z. B. den staubtrockenen 80-Hertz-Bass. Räumlichkeit muss sein. Am liebsten zum Anfassen. Mit Vorliebe spüre und fühle ich die Größe des Studios. Die Stimme des Künstlers ist nach wie vor das bedeutendste Instrument und prä...
15 ANOS: UM SARAU DE ESTUDOS JURÍDICOS
Em seus 11 capítulos, o desafio de compartilhar conhecimentos jurídicos e produzir ciência de modo crítico e responsável é, sem dúvida, encarado com a necessária seriedade, para que se possa, ao final, contribuir na (re)construção do saber. A escritura de cada ensaio é cuidadosamente desenvolvida, empregando o mesmo compromisso que esse grupo sempre demonstrou quando frente a novos desafios, garantindo, assim, uma obra de elevada qualidade.
African Roots, Brazilian Rites
This text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop.
