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Putting romance onstage, The Tempest gives us a magician, Prospero, a former duke of Milan who was displaced by his treacherous brother, Antonio. Prospero is exiled on an island, where his only companions are his daughter, Miranda, the spirit Ariel, and the monster Caliban. When his enemies are among those caught in a storm near the island, Prospero turns his power upon them through Ariel and other spirits.The characters exceed the roles of villains and heroes. Prospero seems heroic, yet he enslaves Caliban and has an appetite for revenge. Caliban seems to be a monster for attacking Miranda, but appears heroic in resisting Prospero, evoking the period of colonialism during which the play was written. Miranda's engagement to Ferdinand, the Prince of Naples and a member of the shipwrecked party, helps resolve the drama.
The sea heals all things. Tempest Island has weathered the worst of storms and still stands proud, providing its residents with the healing power of the sea and sun. When Alayna Scott’s life falls spectacularly apart, both professionally and personally, the executive chef’s only thought is getting back home to the island and her aunt Bea. Between the two, she hopes to put the past behind her and figure out how to move forward. After being injured during a mission, Navy SEAL Luke Ryan is at a crossroads concerning his future and recognizes that his new neighbor is on a similar journey. But in addition to being in a state of flux, it’s clear to him that Alayna is worried about something besides her future, and Luke wonders what kind of secrets are behind the fear she’s trying to hide. When Alayna’s past comes rushing in, attempting to pull her under, Luke wants nothing more than to help her make it through this storm and on to calm waters. But are Luke and Tempest Island enough?
A tour de force retelling of The Tempest from a romantic, emotional, and inspiring voice, perfect for passionate readers of all ages. Moss has grown up on the strangest and most magical of islands. Her father has a plan to control the tempestuous weather that wracks the shores. But the island seems to have a plan of its own once Callan -- a wild boy her age -- appears on its beaches. Her complex feelings for Callan shift with every tide, while her love for the island, and her father, are thrown into doubt...And when one fateful day, a young man from the outside world washes up on the beach, speaking of the Old World, nothing will ever be the same. A dark reflection of Shakespeare's The Tempest, Storm-wake is one girl's voyage of discovery -- a mesmerizing tale of magic, faith, and love.
Kensington Palace is now most famous as the former home of Diana, Princess of Wales, but the palace's glory days came between 1714 and 1760, during the reigns of George I and II . In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities. Lucy Worsley's The Courtiers charts the trajectory of the fantastically quarrelsome Hanovers and the last great gasp of British court life. Structured around the paintings of courtiers and servants that line the walls of the King's Staircase of Kensington Palace-paintings you can see at the palace today-The Courtiers goes behind closed doors to meet a pushy young painter, a maid of honor with a secret marriage, a vice chamberlain with many vices, a bedchamber woman with a violent husband, two aging royal mistresses, and many more. The result is an indelible portrait of court life leading up to the famous reign of George III , and a feast for both Anglophiles and lovers of history and royalty.
The Tempest and its Travels offers a new map of the play by means of an innovative collection of historical, critical, and creative texts and images.
When Cassie finds herself on the streets of a distant city, she discovers kingdom-shaking danger and a mysterious, attractive stranger. She may be the only one who can save the Four Kingdoms.
Created when James I granted royal patronage to the former Chamberlain's Men in 1603, the King's Men were the first playing company to exercise a transformative influence on Shakespeare's plays. Not only did Shakespeare write his plays with them in mind, but they were also the first group to revive his plays, and the first to have them revised, either by Shakespeare himself or by other dramatists after his retirement. Drawing on theatre history, performance studies, cultural history and book history, Shakespeare in the Theatre: The King's Men reappraises the company as theatre artists, analysing in detail the performance practices, cultural contexts and political pressures that helped to shape and reshape Shakespeare's plays between 1603 and 1642. Reconsidering casting and acting styles, staging and playing venues, audience response, influence and popularity, and local, national and international politics, the book presents case-studies of performances of Macbeth, The Tempest, The Winter's Tale, Richard II, Henry VIII, Othello and Pericles alongside a broader reappraisal of the repertory of the company and the place of Shakespeare's plays within it.
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