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Confesiones De Un Psiquiatra
Confesiones de un Psiquiatra un relato escrito en forma coloquial sin someterse a tradiciones o formatos literarios. El autor relata algunos fragmentos de su vida exitosa y azarosa en una forma sencilla a la vez que hace reflexiones sobre diversos temas que tienen alguna relacion con sus vivencias, desde aspectos muy comunes de la vida cotidiana hasta reflexiones sobre aspectos de tipo filosofico, psicologico, sociopoliticos entre otros. En sus relatos no sigue una forma cronologica exacta sino que mucha veces avanza y retrocede para comunicarse con el lector como si lo tuviera frente a el como un interlocutor valido. Siendo un libro motivador, comunica no solo experiencias conducientes al e...
Catholic Iconography in the Novels of Juan Marsé
The prize-winning novelist Juan Marsé, born in Barcelona in 1933, is widely-read not only within Spain but also in translation, for his often provocative portrayals of life in post-war Barcelona. Clark's study discusses Marsé's engagement with Catholic popular culture, Spanish National Catholicism and Catalan Catholic Nationalism, exploring his subversion of iconic imagery as an ironic sub-textual commentary on political ideology, by which he is able to experiment with outer reality and inner reconstructions of experience. Dr Clark shows how religious and profane visions of love are subtly intertwined, how the tales told by children and the novel form itself are interrelated, and finally how a variety of biblical topoi, ranging from the Garden of Eden to the Song of Songs, are deployed in Marsé's fiction. Particular attention is paid to La oscura historia de la prima Montse, Si te dicen que ca and Im genes y recuerdos. -- Amazon.com.
Art & Text
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Current Catalog
First multi-year cumulation covers six years: 1965-70.
Herbstsalon 1989
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Art
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Spanish American Poetry at the End of the Twentieth Century
Has poetry lost its relevance in the postmodern age, unable to keep pace with other forms of cultural production such as film, mass media, and the Internet? Quite the contrary, argues Jill Kuhnheim in this pathfinding book, which explores how recent Spanish American poetry participates in the fundamental cultural debates of its time. Using a variety of interdisciplinary approaches, Kuhnheim engages in close readings of numerous poetic works to show how contemporary Spanish American poetry struggles with the divisions between politics and aesthetics and between visual and written images; grapples with issues of ethnic, national, sexual, and urban identities; and incorporates rather than rejects technological innovations and elements from the mass media. Her analysis illuminates the ways in which contemporary issues such as indigenismo and Latin America's postcolonial legacy, modernization, immigration, globalization, economic shifts toward neoliberalism and informal economies, urbanization, and the technological revolution have been expressed in—and even changed the very form of—Spanish American poetry since the 1970s.
Estandarización y aplicación de sueros y vacunas en España (1894-2018)
La Organización Mundial de la Salud, en su documento Agenda de inmunización 2030. Una estrategia mundial para no dejar a nadie atrás, reconoce el valor de las vacunas, considerándolas “indispensables para prevenir y controlar muchas enfermedades transmisibles” e instrumentos “que sustentan la seguridad sanitaria mundial”. Al mismo tiempo, señala la desigualdad en el acceso a los beneficios de la inmunización y denuncia que, con frecuencia, son las poblaciones más vulnerables, con menos recursos y más marginadas las que no acceden a las vacunas básicas. Por su parte, los sueros son otros remedios capaces de provocar también inmunidad (pasiva) y evitaron y evitan igualmente m...
Annotated Catalogue Raisonné of the Books by Martin Kippenberger, 1977-1997
Roberta Smith called him the "madcap bad boy of contemporary German art" and also "one of the three or four best German artists of the postwar period." Martin Kippenberger disrupted the status quo throughout his brief, excessive life, not just by making art of every variety and medium but also by conducting an extended performance in the vicinity of art that involved running galleries, organizing exhibitions, collecting the work of his contemporaries and overseeing assistants. He published books and catalogues, played in a rock-and-roll band and cut records, ran a performance-art space during his early years in Berlin, became part owner of a restaurant in Los Angeles during six months he spent there preparing for an exhibition, and collaborated extensively with other artists. This particular volume considers his output of artist's books, as well as his exhibition catalogues and all the publications whose content he either created or edited. More than just documentation, this publication makes accessible for a wider public the multiple aspects of Kippenberger's books, with all the complexity and consequence of his oeuvre intact.
