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Luis Cruz Azaceta
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Luis Cruz Azaceta
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Luis Cruz Azaceta
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Dual Transitions from Authoritarian Rule
An “analytically sophisticated and heavily documented” study of two Latin American countries in their economic and political move toward democracy (Choice). In 1982, Latin America experienced a region-wide economic collapse that had a drastic effect on governments throughout Central and South America. Many were pushed to the verge of failure, while several of the most authoritarian—Argentina, Bolivia, Brazil, and Uruguay—went over the brink. Yet somehow, Chile’s repressive military dictatorship and Mexico’s hegemonic civilian regime endured amid the economic chaos. Dual Transitions from Authoritarian Rule explains why these two regimes survived the upheaval and how each progresse...
Creative Destruction?
This illuminating historical study examines the political economies of three Latin American countries in their transition toward democratization. Through most of the twentieth century, financial shocks toppled democratic and authoritarian regimes across Latin America. But things began to change in the 1980s. In this wide-ranging comparative history of Argentina, Uruguay, and Chile, Francisco E. González explains why. Gonzalez examines how these three countries were affected by the Great Depression, Latin America’s 1980s debt crisis, and the late 1990s emerging markets’ meltdowns. He finds that democratic or not, each nation’s regime gained stability in the 1980s thanks to changes in institutions, material interests, economic policies, and other factors. Underlying these developments was a growing ease in the exchange of ideas that created a pro-democracy bias—even in Pinochet’s Chile. With a concluding chapter on the impact of the Great Recession in other Latin American states, Eastern Europe, and East Asia, Creative Destruction? lends insight into the survival of democratic and authoritarian regimes during times of extreme financial instability.
Baroque New Worlds
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s ...
Music in Aztec and Inca Territory
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
