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Drawing on an extensive collection of Catholic, Lutheran, and Calvinist sermon collections (postils), this book offers the first comprehensive, systematic presentation of standard preaching texts in early modern Germany including their creation, print production, use, and censorship.
This book provides, for the first time, an exhaustive discussion of the Franciscan production of texts of religious instruction during the later medieval period (c. 1210-c. 1550). In eight chapters, it introduces the reader to the most important Franciscan sermon cycles, the Franciscan guidelines for living the life of evangelical perfection, the many Franciscan novice training manuals, the Franciscan catechisms and confession manuals, the Franciscan output of liturgical handbooks, the large number of Franciscan texts containing more wide-ranging forms of religious edification, and Franciscan prayer guides. This book provides medievalists and Renaissance scholars alike with a new tool to assess the intellectual and religious transformations between the thirteenth and the sixteenth century, and contributes to the current re-interpretation of the late medieval pastoral revolution.
Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: "recommended"--Booklist; "exhaustive...useful"--ARBA; "a solid reference work"--Video Watchdog; "bursting with information, opinion and trivia...impeccably researched"--Film Review; "interesting and informative"--Rue Morgue; "detailed credits...entertaining"--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated.
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
Winner of the 2011 SCSC Bainton Prize for Reference Works The “canon” of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of “marginal” figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to st...
Clippings of Latin American political, social and economic news from various English language newspapers.
This collection of 16 articles represents a selection of the papers delivered in the course of a seminar (1995-1996) at the Institute for Advanced Study in Princeton and its concluding joint symposium held at the Institute and Princeton University. Wide-ranging in scope, the volume covers messianic expectations from biblical times up to modern and contemporaneous adaptations, whereby the focus lies on the messianic concept within Judaism: diversity and variety of messianic expectations in antiquity; messianic movements at the time of the Crusades and around the fifth millennium (1240); the 'Pseudo'-Messiah Sabbatai Avi in the early modern period; the philosophers Hermann Cohen, Franz Rosenzw...
“¿Quién quiere que Colo-Colo no muera?”. El 14 de mayo de 2005, en una asamblea del Club Social y Deportivo Colo-Colo, el más emblemático y exitoso de Chile, con ochenta años de historia, la sociedad anónima Blanco y Negro inició la toma de control con esa pregunta. Entre amenazas a quienes se oponían, los socios aprobaron que Colo-Colo se convirtiera en el primer equipo de fútbol de Latinoamérica en ser administrado por una concesionaria abierta en bolsa, operación que prometía revolucionar el deporte favorito de los chilenos. Tres años antes Colo-Colo había sido declarado en quiebra. Con su privatización, Blanco y Negro aseguraba que cualquier colocolino o colocolina iba...
More than just an expression of religious authority or an instrument of social control, the Inquisition was an arena where cultures met and clashed on both shores of the Atlantic. This pioneering volume examines how cultural identities were maintained despite oppression. Persecuted groups were able to survive the Inquisition by means of diverse strategies—whether Christianized Jews in Spain preserving their experiences in literature, or native American folk healers practicing medical care. These investigations of social resistance and cultural persistence will reinforce the cultural significance of the Inquisition. Contributors: Jaime Contreras, Anne J. Cruz, Jesús M. De Bujanda, Richard ...