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Through an authoritative narrative and lavish photography, this is an in-depth history of the stars, films, achievements, and influence of the Hispanic and Latino community in Hollywood history from the silent era to the present day. Overcoming obstacles of prejudice, ignorance, and stereotyping, this group has given the world some of its most beloved stars and told some of its most indelible stories. Viva Hollywood examines the stars in front of the screen as well as the people behind-the-scenes who have created a rich legacy across more than 100 years. The role of Latin women on screen is explored through the professional lives of Dolores Del Rio, Rita Hayworth, Raquel Welch, Salma Hayek, ...
In "Transcending Conquest," Stephanie Wood uses Nahuatl writings and illustrations to reveal Nahua perspectives on Spanish colonial occupations of the Western Hemisphere. Drawing on Mesoamerican peoples' strong tradition of pictorial record keeping, Wood examines multiple examples of pictorial imagery to explore how native manuscripts depicted the European invader and colonizer.
Indigenous breadsellers riot over a Spanish monopoly scheme; Spanish authorities plan to remove native people from the city; indigenous people struggle to construct a splendid church; the city's inhabitants fight over elections and witness hangings, epidemics, and eclipses. All this and more a Native American writer of Puebla, Mexico, reported in the late seventeenth century in a set of annals in his own language, Nahuatl, telling his people's local history from the coming of the Christian faith down to his own day. These records were part of a corpus of such annals produced in the Tlaxcala-Puebla region during this period. These writings by native peoples for their own posterity provide the most direct access to the indigenous perspective on the postconquest centuries that we are ever going to find. Here in This Year for the first time brings two sets of Nahuatl annals—the other one being from a more provincial locale—to the English-speaking world, presenting the original Nahuatl with facing, very readable translations.
Describes daily life in the Aztec world, including coverage of geography, foods, trades, arts, games, wars, political systems, class structure, religious practices, trading networks, writings, architecture and science.
In four chapters, a foreword, preface, and two appendices accompanied by detailed, full-color illustrations, scholars Arni Brownstone, Nicholas Johnson, Bas van Doesburg, Eckehard Dolinski, Michael Swanton, and Elizabeth Hill Boone describe what a lienzo is and how it was made. They also explain the particular origin, format, and content of the Lienzo of Tlapiltepec—as well as its place within the larger world of Mexican painted history. The contributors furthermore explore the artistry and visual experience of the work. A final essay documents past illustrations of the lienzo including the one rendered for this book, which employed innovative processes to recover long faded colors.
Hemispheric Indigeneities is a critical anthology that brings together indigenous and nonindigenous scholars specializing in the Andes, Mesoamerica, and Canada. The overarching theme is the changing understanding of indigeneity from first contact to the contemporary period in three of the world’s major regions of indigenous peoples. Although the terms indio, indigène, and indian only exist (in Spanish, French, and English, respectively) because of European conquest and colonization, indigenous peoples have appropriated or changed this terminology in ways that reflect their shifting self-identifications and aspirations. As the essays in this volume demonstrate, this process constantly tran...
This collection of essays on seventeenth-century Virginia, the first such collection on the Chesapeake in nearly twenty-five years, highlights emerging directions in scholarship and helps set a new agenda for research in the next decade and beyond. The contributors represent some of the best of a younger generation of scholars who are building on, but also criticizing and moving beyond, the work of the so-called Chesapeake School of social history that dominated the historiography of the region in the 1970s and 1980s. Employing a variety of methodologies, analytical strategies, and types of evidence, these essays explore a wide range of topics and offer a fresh look at the early religious, p...
Fifth Sun offers a comprehensive history of the Aztecs, spanning the period before conquest to a century after the conquest, based on rarely-used Nahuatl-language sources written by the indigenous people.
Time and the Ancestors: Aztec and Mixtec Ritual Art combines iconographical analysis with archaeological, historical and ethnographic studies and offers new interpretations of enigmatic masterpieces from ancient Mexico, focusing specifically on the symbols and values of the religious heritage of indigenous peoples.
An essential history of how the Mexican Revolution gave way to a unique one-party state In this book Paul Gillingham addresses how the Mexican Revolution (1910–1940) gave way to a capitalist dictatorship of exceptional resilience, where a single party ruled for seventy-one years. Yet while soldiers seized power across the rest of Latin America, in Mexico it was civilians who formed governments, moving punctiliously in and out of office through uninterrupted elections. Drawing on two decades of archival research, Gillingham uses the political and social evolution of the states of Guerrero and Veracruz as starting points to explore this unique authoritarian state that thrived not despite but because of its contradictions. Mexico during the pivotal decades of the mid-twentieth century is revealed as a place where soldiers prevented military rule, a single party lost its own rigged elections, corruption fostered legitimacy, violence was despised but decisive, and a potentially suffocating propaganda coexisted with a critical press and a disbelieving public.