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Current Catalog
First multi-year cumulation covers six years: 1965-70.
Index-catalogue of Medical and Veterinary Zoology
Supplements 1-14 have Authors sections only; supplements 15-24 include an additional section: Parasite-subject catalogue.
History of Universities
Volume XVI/2 of History of Universities contains the customary mix of learned articles, book reviews, conference reports, and bibliographical information, which makes this publication such an indispensable tool for the historian of higher education. Its contributions range widely geographically, chronologically, and in subject-matter. The volume is, as always, a lively combination of original research and invaluable reference material.
E os oito bisavós?
Peguei o vírus da genealogia quando me perguntaram: você sabe os nomes de seus avós? Eu disse: - Claro que sim! . Então perguntaram: E os oito bisavós?.Eu não sabia responder e agora queria descobrir! Pronto, tinha pego o vírus da genealogia que me fez ir atrás da história dos meus antepassados: Martins, Medeiros, Teixeira de Carvalho, Silva, Caetano Machado, Barbosa da Silveira, Puccinelli, Pulcinelli, Pulcineli, Mazzocato, Ciuffi, Nazareth, Protásio de Oliveira.
New Argentine Cinema
Argentine filmmaking from the mid-1990s to the present has enjoyed worldwide success. New Argentine Cinema explores this cinema in order to discover the elements that have made for this success, in relation to the country's profound political, social and cultural crisis during the same period. Jens Andermann shows how the most recent wave of films differs markedly from the Argentine cinema of the preceding decade, following the end of the dictatorship in 1983. Studying films by Lisandro Alonso, Albertina Carri, Lucrecia Martel, Raul Perrone, Martin Rejtman, and Pablo Trapero, among others, he identifies a shift in aesthetic sensibilities between these directors and those of the previous generation as well as a profound change in the way films are being made, and their relation to the audiovisual field at large. In combining close comparative analyses with a review of the changing models of production, editing, actorship and location, Andermann uncovers the ways in which Argentine films have managed to construct a complex, multilayered account of their own present, as shot through - or 'perforated' - by the still unresolved legacies of the past.
