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Lydia loved her cousin Samuel, and began a correspondence with him when she was 15 that lasted until they were married seven years later. They tell of her blossoming love and her life in a small English village in Warwickshire. Being a guy, he responded to her love letters with a treatise, The Marriages of Cousin Germans, Vindicated from the Censures of Unlawfullnesse, and Inexpediency." His text follows her 32 letters, which face pages of explanatory notes.
In the first in-depth study of how gender determined perceptions and experiences of illness in early modern England, Olivia Weisser invites readers into the lives and imaginations of ordinary seventeenth- and eighteenth-century Britons. Drawing on a wide range of sources, including personal diaries, medical texts, and devotional literature, this unique cultural history enters the sickrooms of a diverse sampling of men and women, from a struggling Manchester wigmaker to the diarist Samuel Pepys. The resulting stories of sickness offer unprecedented insight into what it was like to live, suffer, and inhabit a body in England more than three centuries ago.
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Ideal for courses, this Companion examines the range, historical importance, and aesthetic merit of women's writing in Britain, 1500-1700.
By taking account of the ways in which early modern women made use of formal and generic structures to constitute themselves in writing, the essays collected here interrogate the discursive contours of gendered identity in sixteenth- and seventeenth-century England. The contributors explore how generic choice, mixture, and revision influence narrative constructions of the female self in early modern England. Collectively they situate women's life writings within the broader textual culture of early modern England while maintaining a focus on the particular rhetorical devices and narrative structures that comprise individual texts. Reconsidering women's life writing in light of recent critical trends-most notably historical formalism-this volume produces both new readings of early modern texts (such as Margaret Cavendish's autobiography and the diary of Anne Clifford) and a new understanding of the complex relationships between literary forms and early modern women's 'selves'. This volume engages with new critical methods to make innovative connections between canonical and non-canonical writing; in so doing, it helps to shape the future of scholarship on early modern women.
Despite her fascinating life and her importance as a writer, until now Lady Mary Wroth has never been the subject of a full-length biography. Margaret Hannay's reliance on primary sources results in some corrections, as well as additions, to our knowledge of Wroth's life, including Hannay's discovery of the career of her son William, the marriages of her daughter Katherine, her grandchildren, her last years, the date of her death, and the subsequent history of her manuscripts. This biography situates Lady Mary Wroth in her family and court context, emphasizing the growth of the writer's mind in the sections on her childhood and youth, with particular attention to her learned aunt, Mary Sidne...