Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Literary Liaisons
Unhappy relationships are the stuff of fiction--or so Lynette Felber observes as she examines the lives and fiction of five modernist women writers whose lovers were also literary figures. Focusing on Anaïs Nin, Rebecca West, Zelda Fitzgerald, Radclyffe Hall, and H.D., she investigates the ways these female authors made use of their relationships in their fiction. Whether heterosexual or lesbian, these women struggled to assert the authority of their own literary voices and to achieve professional recognition distinct from their partners. The modernist period, when British and American women first began to exercise their newly granted political rights, provides a particularly interesting ba...
Gender and Genre in Novels Without End
"Fresh, strong, and engaging. . . . The combination of narratology, reader-response, and feminist approaches realizes the complexity and complications of characterization, narrative voice, plot, and closure in these novels and in the roman-fleuve. . . . Brings into focus the . . . sub-genre in relation to the novel in general while at the same time presenting insightful analyses of particular examples of such texts."--Kathryn N. Benzel, University of Nebraska, Kearney This is the first substantive study of the roman-fleuve--the multivolume sequence novel--as a distinctive genre. Though Lynette Felber finds these "novels without end" to be "the ultimate pleasurable text," prolonging a moment ...
Clio's Daughters
They discover new texts and methodologies, exploring nineteenth-century British women's historiography, their writing of history, often through unexpected sources not previously regarded as historical venues: journalism, travel writing, architectural preservation, and costume balls."--BOOK JACKET.
Can You Forgive Her?
'She loved him much, and admired him even more than she loved him...Would that he had some faults!' Alice Vavasor is torn between a risky marriage with her ambitious cousin George and the safer prospect of a union with the formidably correct John Grey. Her indecision is reflected in the dilemmas of her friend Lady Glencora, confined in the proprieties of her life with Plantagenet Palliser but tempted to escape with her penniless lover Burgo Fitzgerald, and of her aunt, the irreverent widow Mrs Greenow, who must choose between a solid farmer and an untrustworthy soldier as her next husband. Each woman finds her choice bound up with the cold realities of money, and the tension between public e...
Female Beauty in Art
In Female Beauty in Art, a series of essays examine the presence and role of female beauty in art, history and culture, and consider the ways in which beauty can function as a discourse of female identity. As a concept, female beauty is unique in that it can contain compelling imbrications of gender ideologies, images, relations, cultural constructions and modes of interaction between persons and the institutions that define their lives. Thus, female beauty can provide proliferating methods t...
Victorian Narratives of the Recent Past
This book explains why narrating the recent past is always challenging, and shows how it was particularly fraught in the nineteenth century. The legacy of Romantic historicism, the professionalization of the historical discipline, and even the growth of social history, all heightened the stakes. This book brings together Victorian histories and novels to show how these parallel genres responded to the challenges of contemporary history writing in divergent ways. Many historians shrank from engaging with controversial recent events. This study showcases the work of those rare historians who defied convention, including the polymath Harriet Martineau, English nationalist J. R. Green, and liberal enthusiast Spencer Walpole. A striking number of popular Victorian novels are retrospective. This book argues that Charlotte Brontë, Elizabeth Gaskell and George Eliot’s “novels of the recent past” are long overdue recognition as genuinely historical novels. By focusing on provincial communities, these novelists reveal undercurrents invisible to national narratives, and intervene in debates about women’s contribution to history.
The Swarming Streets
Preliminary Material --Introduction: The Swarming Streets: Twentieth-Century Literary Representations of London /Lawrence Phillips --A Risky Business: Going Out in the Fiction of Virginia Woolf and Dorothy Richardson /Nadine Attewell --"A Filmless London": Flânerie and Urban Culture in Dorothy Richardson's Articles for Close Up --Virgina Woolf's London and the Archaeology of Character /Vicki Tromanhauser --Treasure Seekers in the City: London in the Novels of E. Nesbit /Jenny Bavidge --"Thou art full of Stirs, a Tumultuous City": Storm Jameson and London in the 1920s /Chiara Briganti --"A Network of Inscrutable Canyons": Wartime London's Sensory Landscapes /Sara Wasson --Tales from the Cryp...
Narrative Beginnings
George Eliot wrote that "man cannot do without the make-believe of a beginning." Beginnings, it turns out, can be quite unusual, complex, and deceptive. The first major volume to focus on this critical but neglected topic, this collection brings together theoretical studies and critical analyses of beginnings in a wide range of narrative works spanning several centuries and genres. The international and interdisciplinary scope of these essays, representing every major theoretical perspective--including feminist, cognitive, postcolonial, postmodern, rhetorical, ethnic, narratological, and hypert.
Rereading Modernism
Until about 1986, feminists generally considered modernism a reactionary, misogynist, and hegemonic mire not worth investigating. Since then enough studies of modernism have appeared that 17 feminist critics can now review and debate their treatment of the period. They evaluate the progress and goals of the new era of modernist scholarship. As the authors in this volume suggest, instead of condemning writers for not practicing or portraying an acceptable politics of gender, we ought instead to show how their assumptions about the nature of the sexes inform their texts, both in their creation and in their reception. This also allows examination of the complex and changing relationship between human subjectivity and aesthetics. This volume is a highly reflective dialogue, introspective and evaluative, at a moment of crisis within modernist studies and feminist studies. The analysis of critical work on early-twentieth-century literature not only helps reread and redefine a definition of modernism; it also intends to redirect and reintegrate feminist theory.
Religious Dissent and the Aikin-Barbauld Circle, 1740–1860
Recent criticism is now fully appreciating the nuanced and complex contribution made by Dissenters to the culture and ideas of the eighteenth and nineteenth centuries in Britain. This is the first sustained study of a Dissenting family - the Aikins - from the 1740s to the 1860s. Essays by literary critics, historians of religion and science, and geographers explore and contextualize the achievements of this remarkable family, including John Aikin senior, tutor at the celebrated Warrington Academy, and his children, poet Anna Letitia Barbauld, and John Aikin junior, literary physician and editor. The latter's children in turn were leading professionals and writers in the early Victorian era. This study provides new perspectives on the social and cultural importance of the family and their circle - an untold story of collaboration and exchange, and a narrative which breaks down period boundaries to set Enlightenment and Victorian culture in dialogue.
