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Complete with fresh perspectives, and drawing on the latest scholarship and biographical sources, The Life of D. H. Lawrence spans the full range of his intellectual interests and creative output to offer new insights into Lawrence’s life, work, and legacy. Addresses his major works, but also lesser-known writings in different genres and his late paintings, in order to reassess the innovative, challenging, and subversive aspects of Lawrence’s personality and writing Incorporates newly-discovered sources, including correspondence, a manuscript written in 1923-4, new evidence for important influences on his major novels and two previously unpublished images of the author Emphasizes Lawrence’s gregarious nature, his desire to collaborate with others, and his adaptability to different social situations Pays particular attention to the many interactions with literary advisors, editors, agents, publishers, and printers that were required for him to work as a professional writer Combines new material with astute commentary to provide a nuanced understanding of one of the most prolific and controversial authors of the twentieth century
First privately published in the United States in 1920 and ruthlessly reviewed on both sides of Atlantic, “Women in Love” remains one of the most provoking novels of this century. Largely because it defies single-mindedness or dogmatic preconceptions, the text has consistently thwarted the critics in their attemps at “nailing it dow”. The present collection of essays sets out to explore how the novel keeps “walking away with the nail”, as Lawrence himself wrote in “Morality and the Novel”.
Born in Minnesota and raised in Chicago, Jenny Vincent was educated at a progressive private school and Vassar College. Introduced to international folk music at an early age, she remains a performer and champion of this "music of the people." In 1936, Jenny and her first husband visited northern New Mexico at the invitation of D. H. Lawrence's widow. Enchanted with the place and its people, they purchased a ranch that has been Jenny's home ever since. Jenny believed strongly in social advocacy, which she expressed through song. She performed with such luminaries as Pete Seeger, Woody Guthrie, Malvina Reynolds, and Earl Robinson, all social activists who used music as a voice for world peace, civil liberties, and human rights. Jenny and her second husband supported such causes as the Salt of the Earth strike, Native American rights, and the rising Chicano movement. Through it all Jenny raised a family and continued her music. In her nineties, Jenny continues performing, and in 2006 was honored by the University of New Mexico and the New Mexico State Historic Preservation Division for her many decades as a prominent cultural activist.
The Spanish Camino de Santiago, a pilgrimage rooted in the Medieval period and increasingly active today, has attracted a growing amount of both scholarly and popular attention. With its multiple points of departure in Spain and other European countries, its simultaneously secular and religious nature, and its international and transhistorical population of pilgrims, this particular pilgrimage naturally invites a wide range of intellectual inquiry and scholarly perspectives. This volume fills a gap in current pilgrimage studies, focusing on contemporary representations of the Camino de Santiago. Complementing existing studies of the Camino’s medieval origins, it situates the Camino as a mo...
While W. B. Yeats’s influential account of the ‘Tragic Generation’ claims that most fin-de-siècle poets died, or at least stopped writing, shortly after 1900, this book explodes this narrative by attending to the twentieth-century poetry produced by women poets Alice Meynell, Michael Field (Katharine Bradley and Edith Cooper), Dollie Radford, and Katharine Tynan. While primarily associated with the late nineteenth century, these poets were active in the twentieth century, but their later writing is overlooked in modernist-dominated studies, partly due to this poetry’s adherence to traditional form. This book reveals that these poets, far from being irrelevant to modernity, used thes...
A comprehensive examination of the full range of Carmen Martín Gaite's work. Carmen Martín Gaite produced a large body of work in various genres over the course of her five-decade career, though she is primarily known as a novelist, short story writer, and social commentator. Her work at times reflects, and at times defies, the pattern of development in Spanish fiction since the 1950s. This Companion offers a re-reading of Martín Gaite's works, emphasizing her early experimentalism which culminated in mid-career works (notably El cuarto de atrás), and stressing how, in the late 1960s and early 1970s when the majority of Spanish novelists were engaged in a critique of history, Martín Gai...
Exploring what does and what does not constitute pilgrimage, Redefining Pilgrimage draws together a wide variety of disciplines including politics, anthropology, history, religion and sociology. Leading contributors offer a broad range of case studies from a wide geographical area, exploring new ways of approaching pilgrimage beyond the classical religious model. Re-thinking the global phenomenon of pilgrimages in the 21st century, this book offers new perspectives to redefine pilgrimage.
Centred on the relationship between the personal lives of the writers John Middleton Murry, Katherine Mansfield, and D. H. Lawrence and the works they produced this intriguing study develops a portrait of a circle of writers who significantly influenced t
The Hidden D. H. Lawrence is a new study of the psychological and literary aspects of a great writer’s lyrical genius. It explores how Lawrence, when writing on his favorite subject, the relations between men and women, moved so quickly between heavy-handed exposition and deeply inspired prose, depending on the gender of the object of his attention. Nowhere is this clearer than in the three grand love scenes from Lady Chatterley’s Lover, those cut from the first American edition of 1932. In these scenes, Mellors, Lawrence’s usual alter ego, suddenly and almost magically becomes the object of attention, although now seen through the eyes of his female protagonist. It may seem as if Lawr...
The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism's complex geographies, focusing on Anglo-European modernisms while also engaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and place, the volume moves to a focus on movement and motion, with topics ranging from modernity and bodily energies to issues of scale and quantity. The final chapters in the volume examine modernist film and the moving image, and travel and transport in the modern metropolis. "Movement is reality itself," the philosopher Henri Bergson wrote: the original and illuminating essays in Moving Modernisms point in new ways to the realities, and the fantasies, of movement in modernist culture.