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Political and social change during Woolf's lifetime led her to address the role of the state and the individual. Michael H. Whitworth shows how ideas and images from contemporary novelists, philosophers, theorists, and scientists fuelled her writing, and how critics, film-makers, and novelists have reinterpreted her work for later generations.
Sir Joseph Whitworth (1803-87) was arguably Britain's best ever mechanical engineer, world famous for the standard screw thread named after him, machine tool designs so innovative he pioneered a new era, and his revolutionary hexagonally rifled guns. He also gave the western world its first one-inch standard, taught engineers precise measurement, decimalized engineering measurement, invented mechanical street sweepers, developed the hydraulic forging press, propagated the idea of mass production, founded the Whitworth scholarships for engineering science, set up a university engineering laboratory and helped to promote the Atlantic telegraph. Many of his machines and tools were exhibited at the Great Exhibition in 1851. Most of these achievements represent international firsts, yet Whitworth's prolific and fascinating career has received surprisingly little attention. In the first full-length biography to fully analyse his engineering and gun design, Norman Atkinson traces the development of Whitworth's career in the context of his personal life and the politics of his time.
Alfred the Great has been dead for a decade. His legacy: an uneasy alliance between the neighbouring kingdoms of Wessex and Mercia. Wulfgar, a young priest in training, more at home with his books than with a sword, has been tasked with an impossible mission. He must travel secretly to the badlands of the North and find the bones of a long lost saint. But the Northern territories are under the rule of Viking invaders. And if Wulfgar is discovered, they will have his head... A historical epic in the tradition of C.J.Sansom. V.M.Whitworth also writes as Victoria Whitworth and is the author of THE TRAITOR'S PIT and DAUGHTER OF THE WOLF.
Shortlisted for the PEN Ackerley Prize 2018. This is a memoir of intense physical and personal experience, exploring how swimming with seals, gulls and orcas in the cold waters off Orkney provided Victoria Whitworth with an escape from a series of life crises and helped her to deal with intolerable loss. It is also a treasure chest of history and myth, local folklore and archaeological clues, giving us tantalising glimpses of Pictish and Viking men and women, those people lost to history, whose long-hidden secrets are sometimes yielded up by the land and sea.
Ian Whitworth built national companies from nothing. Coronavirus hammered some of them flat. Yet he’s fine with that. Because when the chaos is swirling and shit is getting real, there’s opportunity. Now is the time to put yourself in control – where no boss or virus can take you down. So many talented people want to give it a shot, yet they’re held back by the big business myths. But success is simpler than your crusty CEO wants you to think. Ian built his businesses on simple rules, Year 6 maths, basic decency and no jargon. It generated profits that made the bank people say: ‘We’ve never seen anything like this before.’ Ian’s advice is so readable that many of his readers ...
In 1700 the armies of the Russian Tsar Peter the Great and Charles XII of Sweden met at Narva to fight the first battle of what was to be known as the Great Northern War. Although this first engagement was to result in a humiliating defeat for Peter, it marked the start of a struggle that twenty years later would see Russia emerge as a major power and radically alter the balance of power in Europe. This work examines the changes in the balance of power in Europe in the early eighteenth century as a result of the Great Northern War and the War of the Spanish Succession through the writings and career of Charles Whitworth, the first British Ambassador to Russia, and Minister in The Hague, Berl...
This innovative collection of essays is the first volume to explore the many ways in which dictionaries have stimulated the imaginations of modern and contemporary poets from Britain, Ireland, and America, while also considering how poetry has itself been a rich source of material for lexicographers.