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The wrong jinn at the right time, Zahara's a force to be reckless with Zahara, party girl of the paranormal, floats up out of a lamp in Daniel Goldstein's apartment ready to trick a sorcerer into giving up his soul. But Daniel, whose Moroccan grandmother has reached out from beyond the grave to command him to raise a jinn, wants to do good—by stopping a vengeful fallen angel. The nymphomaniacal, shopping-obsessed Zahara isn’t the otherworldly ally Daniel had in mind. A do-gooder with a dangerous quest isn't what Zahara's looking for, either. Stuck in a magical contract with each other, the two travel to Morocco, where Zahara’s handsome friend Zaid, a jinn who's converted to Islam, reluctantly joins their quest. As Daniel and Zaid struggle against jinn-hunting mercenaries and their attraction to one other, Zahara is forced to join forces with the fallen angel's gorgeous but infuriating brother to stop a cataclysmic war between the human and jinn worlds.
This book presents an experimental and theoretical investigation of the interplay between information structure, word order alternations, and prosody in Italian. Left/right dislocations, focus fronting, and other reordering phenomena are analyzed, taking into account their morphosyntactic and prosodic properties. It is argued that a restricted set of discourse-related properties are inserted in the numeration as formal features. These discourse-related features drive the syntactic derivation and the formation of the prosodic representation in compliance with the T-model of grammar. Based on the cartographic approach, this study proposes a model of the syntax–prosody interface in which the phonological computation of prosody is fed by syntactically encoded properties of information structure. However, this computation is also governed by structural requirements intrinsic to the phonological domain, and thus, a bijective relation between information structure and prosodic representation is not guaranteed. The monograph will be of interest to any linguist concerned with syntax, information structure, and prosody.
The cartographic project considers evidence for a functional head in one language as evidence for it in universal grammar. In this volume, some of the most influential linguists who have participated in this long-lasting debate offer their recent work in short, self contained case studies.
Exploring Nanosyntax is the first in-depth introduction to the framework of nanosyntax. Deploying the cartographic "one feature - one head" maxim, the framework decomposes morphosyntactic structure, laying bare the building blocks of the universal functional sequence. This volume presents the framework's constitutive tools and principles, and explains how nanosyntax relates to cartography and to Distributed Morphology. It also illustrates how nanosyntactic tools and principles can e applied to a range of empirical domains of natural language. Comprising twelve original contributions by leaders of the field, the volume provides a range of cross-linguistic investigations that contribute to a better understanding of the functional sequence. Book jacket.
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This book uses data from English, Mandarin Chinese, and Modern Greek to develop a new theory of control structures that relates them to restructuring and the semantics of the embedding verb. The theory has implications both for clausal structure and for the relationship between form and meaning in natural language.
A comprehensive guide to Mozart's COSI FAN TUTTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with Italian/English side-by side, and over 30 music highlight examples.
An examination of the evidence for and the theoretical implications of a universal word order constraint, with data from a wide range of languages. This book presents evidence for a universal word order constraint, the Final-over-Final Condition (FOFC), and discusses the theoretical implications of this phenomenon. FOFC is a syntactic condition that disallows structures where a head-initial phrase is contained in a head-final phrase in the same extended projection/domain. The authors argue that FOFC is a linguistic universal, not just a strong tendency, and not a constraint on processing. They discuss the effects of the universal in various domains, including the noun phrase, the adjective p...