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Frances Calderón De La Barca
Frances Erskine Inglis, daughter of a prominent lawyer and Freemason, was born in Edinburgh in 1804. As the Marquesa de Calderón de la Barca, she died in Madrid's Royal Palace in 1882. During her life she was a teacher, legation hostess, and successful author, remembered now for her travel classic Life in Mexico and semi-fictional The Attaché in Madrid. But her books tell nothing about the greater part of her far-ranging career, which led through a half-dozen countries in response to bankruptcy, extortion, marriage, diplomacy, and revolution. For this colorful biography the authors have drawn from many sources, including contemporary memoirs, diaries, and numerous letters by and about Madame Calderón. Sometimes her trenchant commentary on people and places flared into newspaper controversy. From all that can be discovered about her, she emerges as a person of high abilities, energy, and nerve. In addition to the spirited woman at the center of the story, there are also her extraordinary family and a cast of memorable minor characters.
Life in Mexico
Originally published in 1843, Fanny Calderon de la Barca, gives her spirited account of living in Mexico–from her travels with her husband through Mexico as the Spanish diplomat to the daily struggles with finding good help–Fanny gives the reader an enlivened picture of the life and times of a country still struggling with independence.
Life in Mexico
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Life in Mexico
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Spanish Books in the Europe of the Enlightenment (Paris and London)
In Spanish Books in the Europe of the Enlightenment (Paris and London) Nicolás Bas examines the image of Spain in eighteenth-century Europe, and in Paris and London in particular. His material has been scoured from an exhaustive interrogation of the records of the book trade. He refers to booksellers’ catalogues, private collections, auctions, and other sources of information in order to reconstruct the country’s cultural image. Rarely have these sources been searched for Spanish books, and never have they been as exhaustively exploited as they are in Bas’ book. Both England and France were conversant with some very negative ideas about Spain. The Black Legend, dating back to the sixteenth century, condemned Spain as repressive and priest-ridden. Bas shows however, that an alternative, more sympathetic, vision ran parallel with these negative views. His bibliographical approach brings to light the Spanish books that were bought, sold and ultimately read. The impression thus obtained is likely to help us understand not only Spain’s past, but also something of its present.
Hereditary Genius
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Dark Prisms
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
The Italian Drama
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