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Maddalena Lombardini Sirmen
Until recently, Maddalena Lombardini Sirmen was recognized mainly as a violin pupil of Giuseppe Tartini. After years of extensive research, Elsie Arnold and Jane Baldauf-Berdes prove the inaccuracy of this depiction. A composer in her own right, Sirmen was also an astute businesswoman who efficiently managed her own life, concert engagements, and finances. This volume is a necessary addition to music and women's studies collections alike.
Maddalena Lombardini Sirmen
Until recently, Maddalena Lombardini Sirmen was recognized mainly as a violin pupil of Giuseppe Tartini. After years of extensive research, Elsie Arnold and Jane Baldauf-Berdes prove the inaccuracy of this depiction. A composer in her own right, Sirmen was also an astute businesswoman who efficiently managed her own life, concert engagements, and finances. This volume is a necessary addition to music and women's studies collections alike.
Historical Dictionary of Music of the Classical Period
The Classical period is one of deep intellectual ferment, of rapid growth and change, and of explosive creativity in the world of music. It may have had its roots in the music of an earlier era and been the harbinger of progressive music of that which followed, but it must be seen as the necessary evolutionary era, without which modern music and all of its variety could not exist. Moreover, in opera houses, festivals, and concert halls all over the world, music from the period may indeed be performed more than any other form, making it one the most accessible and popular periods. It has remained a living and vibrant part of the repertory, indeed offered a kaleidoscope of genres and works that never cease to enchant and amaze. Historical Dictionary of Music of the Classical Period, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries on composers, conductors, instruments, important technical terms, and emerging musical forms. This book is an excellent resource for students, researchers, and anyone wanting to know more about classical music.
Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller
Hiller's Treatise on Vocal Performance and Ornamentation was published in Germany in 1780 and is an important manual on vocal technique and performance in the eighteenth century. Hiller was a masterful educator and was active not only as a teacher but as a critic, composer, conductor and music director. Thus, his observations served not only to raise the standards of singing in Germany, based on the Italian model, but to present complicated material, particularly ornamentation, in a manner that his peers, the middle class, could emulate. This present edition, translated with an introduction and extensive commentary by musicologist Suzanne J. Beicken, makes Hiller's treatise available for the first time in English. With its emphasis on practical aspects of ornamentation, declamation and style it will be valuable to instrumentalists as well as singers and is a significant contribution to the understanding of performance practice in the eighteenth-century.
The Violin
This book is the only complete and up-to-date annotated bibliography available on women's activities and contributions in the creation and performance of music through the ages. Encompassing major books, articles and recordings published over the past five decades, the book examines a broad cross-section of contemporary thought, with each entry - with over 500 devoted to resources from countries outside the US - including annotation along with a critical description of content.
Women Making Music
"Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
So You Want to Sing Music by Women
So You Want to Sing Music by Women opens wide a vast repertoire of vocal music written by women to advocate for widespread inclusion of this too-often neglected work in performance repertoire. Hoch and Lister provide a historical and contemporary perspective, chronicling the Western art music canon while also addressing contemporary trends in music theater and CCM. In addition to providing a historical overview and social context in which women created music, this volume explores the music of hundreds of historical and contemporary women composers, such as Hildegard von Bingen, Clara Schumann, Lili Boulanger, Cathy Berberian, Erykah Badu, and Sara Bareilles. In addition to discussions of art...
