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A White Lie
Palestinian refugees in Gaza have lived in camps for five generations, experiencing hardship and uncertainty. In the absence of official histories, oral narratives handed down from generation to generation bear witness to life in Palestine before and after the 1948 Nakba—the catastrophe of dispossession. These narratives maintain traditions, keep alive names of destroyed villages, and record stories of the fight for dignity and freedom. The Women's Voices from Gaza Series honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. In A White Lie, the first volume in this series, Madeeha Hafez Albatta chronicles her life in Gaza and beyond. Among her remarkable achievements was establishing some of the first schools for refugee children in Gaza.
Come My Children
Hekmat Al-Taweel (1922–2008) was a native Palestinian Christian from Gaza City whose narrative unearths a version of history long excluded from mainstream discourse and provides an unfamiliar perspective on Muslim–Christian relationships. Her stories about life in Gaza highlight shared history, vibrant culture, and cherished traditions. Al-Taweel continued her education after marriage, sought community volunteer work, worked as a teacher and supervisor, and committed to activism throughout her life, all of which contradicts widespread Western orientalized stereotypes of Arab women. She also shares insights into life in Gaza during the British Mandate period as well as the 1948 Nakba and its aftermath. This is the third book in the Women’s Voices from Gaza Series, which honours women’s unique and underrepresented perspectives on the social, material, and political realities of Palestinian life.
Light the Road of Freedom
"Sahbaa Al-Barbari's story provides a unique perspective on Palestinian experience before and after the 1948 Nakba. Born in Gaza, Al-Barbari began her career as a school teacher and was an activist in her community. When Israel occupied the Gaza Strip in 1967, Al-Barbari was exiled from Palestine, continuing her activism as she lived in Egypt, Syria, Lebanon, Cyprus, Kuwait, Tunis, Libya, and Europe. Al-Barbari returned to Gaza in 1996. This is the second book in the Women's Voices from Gaza series, which honours women's unique and underrepresented perspectives on the social, material, and political realities of Palestinian life. The books in this series will benefit Middle East scholars, social justice and human rights advocates, and all who want to know more about the modern history of Palestine."--
Women's Voices in the BlueWave Resistance on Twitter
In this book, Cynthia A. Davidson argues that tweeting, especially political tweeting among Democratic women, is an inherently optimistic act. Davidson’s analysis draws on Lauren Berlant’s assertion in Cruel Optimism (2011) that what we most desire is also an impediment to our thriving, whether or not the subject of specific conversations is negative. Narratives created by members of the Democratic BlueWave Resistance either support the primary purpose of the group--to uphold support of liberal democratic conventions and the issues, policies, and personalities related to them--or take place more or less comfortably within the zone of the community that supports these things. Using specif...
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Minor Detail
From a young Palestinian writer comes this compelling look at the Israel/Palestine conflict, from both the perspective of an Israeli soldier in 1949 as well as that of a young Palestinian woman.
The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
Killing the Water
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A Country for Dying
An exquisite novel of North Africans in Paris by "one of the most original and necessary voices in world literature" WINNER OF THE 2021 PEN TRANSLATION PRIZE Paris, Summer 2010. Zahira is 40 years old, Moroccan, a prostitute, traumatized by her father's suicide decades prior, and in love with a man who no longer loves her. Zannouba, Zahira's friend and protege, formerly known as Aziz, prepares for gender confirmation surgery and reflects on the reoccuring trauma of loss, including the loss of her pre-transition male persona. Mojtaba is a gay Iranian revolutionary who, having fled to Paris, seeks refuge with Zahira for the month of Ramadan. Meanwhile, Allal, Zahira's first love back in Morocco, travels to Paris to find Zahira. Through swirling, perpendicular narratives, A Country for Dying follows the inner lives of emigrants as they contend with the space between their dreams and their realities, a schism of a postcolonial world where, as Taïa writes, "So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people's future."
Empty Wardrobes
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.
