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Reading skills for advanced students.
She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.
Dubbed the "White Queen of Soul," singer Dusty Springfield became the first British soloist to break into the U.S. Top Ten music charts with her 1964 hit "I Only Want To Be With You"--a pop classic followed by many others, including "You Don't Have to Say You Love Me" and "Son of a Preacher Man." Today she is usually placed within the history of the Beatles-led "British Invasion" or seen as a devoted acolyte of Motown. In this penetrating look at her music and career, Annie J. Randall shows how Springfield's contributions transcend the narrow limits of those descriptions and how this middle-class former convent girl became perhaps the unlikeliest of artists to achieve soul credibility on bot...
Madeline shares her story and a few important nuggets that she has picked up along her journey that has helped her through many difficult points along her path.Madeline has two wishes for you with this book:To let you know that "someone does understand" how much noise there is in the world andFor you to "Step into your shoes" and seek the possibilities of your capabilities
V. 12 contains: The Archer...Christmas, 1877.
The Children's Hospital of Philadelphia started thanks to a heroic doctor's inspiration, was the first of its kind and still impacts children's lives today. The Children's Hospital of Philadelphia opened its doors in 1855 amidst a turbulent time in the city. Dr. Francis West Lewis, a prominent Philadelphia physician, was deeply disturbed by the appallingly high mortality rate among infants and children in his city, a result of the poor sanitary conditions in the urban slums that arose in great numbers during the Industrial Revolution. After visiting London for the opening of Great Ormond Street Hospital, Dr. Lewis was inspired to open the first children's hospital in the United States in Phi...
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Pop music would be a different beast without the B-Side. Music history is riven with songs deemed throwaway that revolted against their lowly status and refused to be denied. Be it rock'n'roll’s national anthem (‘Rock Around The Clock’), disco’s enduring game-changer (‘I Feel Love’) or hip-hop’s most notorious dis track (‘Hit ’Em Up’), all three started life as the so-called ‘lesser’ track on releases primed for maximum chart impact. But the B-side has done much more than make stars of Bill Haley, Donna Summer and 2Pac. Whether it was the Beatles, the Kinks and the Yardbirds in the 60s, Elton John, the Who and Queen in the 70s, Depeche Mode, the Cure and Prince in the 80s, or Oasis, Pulp and Radiohead in the 90s, the B-side allowed many of the world’s greatest artists freedom to experiment with no commercial constraints in an age where physical product ruled the roost. A quickfire A-Z of 500+ flips, B-SIDE is the first serious examination of the format’s covert role in pushing the musical envelope. Best read with one eye on YouTube and one ear on a streaming service, its revelations will prick up the ears of music fans of all persuasions.
Instead of walking down the aisle, the bride is suspected of murder…. Maddie Bell’s life and career have hit peak stride. She’s sold her cozy mystery series and is contracted for two more books; she’s engaged to Hemlock’s chief of police; and her mother has purchased and restored the beautiful historic mansion, Gracewood Hall, in their hometown of Hemlock, North Carolina. Three generations—Gigi, Maddie, and Jenna–are now happily engaged in the wedding and special event business. But their highly scrutinized inaugural event—the wedding of an A-List social media influencer—becomes a murder scene before the rehearsal dinner. Kate Archer, the professional bridesmaid Jenna hired, is found bludgeoned by a bottle of Veuve Clicquot, not only threatening their new business, but also sending Jenna into a tailspin of guilt. She knew Kate from college and had begged her to fill in as the maid of honor. Even as the police warn Maddie not to interfere with the investigation, mother and daughter set out to discover who killed Kate and dispel the growing rumors that Gracewood Hall is cursed.
Every song on every album by the classic line-up dissected and discussedThe stories behind the songs, their context within the parent albums and the times they were written and recordedThe release date of every single and B-side trackWhat the band and critics had/have to say about their musical development After their initial inception as a schoolboy band in 1962, and following a number of band name and personnel changes, Status Quo eventually hit the charts in 1968 with the massive hit single ‘Pictures of Matchstick Men’. However, it was not until they ditched their psychedelic duds and took on the denim, accompanied by a radical gearshift from teenage-friendly pop to out-and-out electr...