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"This autobiographical reminiscing started more than ten years ago," wrote German-American philosopher Paul Arthur Schilpp at the age of ninety-five. "After my retirement in 1981," he continued, "I began dictating fragmentary memoirs off and on. Belatedly I was realizing how useful it might have been to have kept personal journals over the long span of my lifetime." "But in years of wonderful vitality, which miraculously had continued into my eighties," Schilpp explains, "I was caught up with living life from moment to breathless moment. Rush there and lecture someplace. Rush home and write or edit against the next impending deadline. The professional merry-go-round was ever enchanting. The ...
The first study to focus on white and black women journalists and writers both before and after the Civil War, this book offers fresh insight into Southern intellectual life, the fight for women's rights and gender ideology. Based on new research into Southern magazines and newspapers, this book seeks to shift scholarly attention away from novelists and toward the rich and diverse periodical culture of the South between 1820 and 1900. Magazines were of central importance to the literary culture of the South because the region lacked the publishing centers that could produce large numbers of books. As editors, contributors, correspondents and reporters in the nineteenth century, Southern women entered traditionally male bastions when they embarked on careers in journalism. In so doing, they opened the door to calls for greater political and social equality at the turn of the twentieth century.
Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultu...
Nineteenth-century newspaper editor Jane Grey Swisshelm (1815-1884) was an unconventionally ambitious woman. While she struggled in private to be a dutiful daughter, wife, and mother, she publicly critiqued and successfully challenged gender conventions that restricted her personal behavior, limited her political and economic opportunities, and attempted to silence her voice. As the owner and editor of newspapers in Pittsburgh; St. Cloud, Minnesota; and Washington, D.C.; and as one of the founders of the Minnesota Republican Party, Swisshelm negotiated a significant place for herself in the male-dominated world of commerce, journalism, and politics. How she accomplished this feat; what expre...
In the 1890s American journalist Elizabeth L. Banks became an international phenomenon through a series of newspaper articles. Disguising herself in various costumes, Banks investigated and made public the working conditions of women in London. Writing from the perspective of an American girl, she explored and exposed a variety of employment, ranging from parlor maid to flower girl to American heiress. Banks demonstrated the capability of women for positions in journalism long held only by men.
This work brings together the essential writings that every student of journalism should know. It presents 40 of the most important works about journalism arranged thematically to enable students to think deeply and broadly about journalism - its social impact, its history, key individuals and institutions, its practice and its future.
Examines the important contributions of various women, Northern, Southern, and slave, to the American Civil War, on the battlefield, in print, on the home front, and in other areas where they challenged traditional female roles.
Winifred Black worked in journalism from 1888 to 1936, often writing under the pseudonym Annie Laurie. Her work appeared in the Hearst papers--especially the San Francisco Examiner--and in fifty additional newspapers weekly through syndication. Black wrote 10,000 short pieces, as well as three books, a nonfiction oeuvre that combined quasi-autobiographical details with characters and scenes to provide cultural analysis for a nationwide audience. She wrote about the realities facing modern women--their work, their marriages and divorces, the violence they endured, their need for independence. Contemporary praise for Black named her "the world's most famous feature writer" and "one of the world's most successful reporters," while her critics affixed the pejorative labels "stunt girl" and "sob sister." This study covers her influential career and gives the first serious attention to her journalism and nonfiction.
Introduction -- Reporting the awakening -- Regional paper wars -- Whitefield, Tennent, and Davenport : newsmakers of the awakening -- Conclusion -- Appendix 1 : methodology -- Appendix 2 : table of individual newspaper reporting on the revival.
This comprehensive portrait of nineteenth-century reformer Clarina Howard Nichols uncovers the fascinating story of a complex woman and reveals her important role in women's rights, antislavery, and westward expansion.