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Lani Maestro
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Lani Maestro
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Oceans
OCEANS attends to the inextricable human and nonhuman agencies that affect and are affected by the sea and its running currents within contemporary art and visual culture. Oceans cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and bizarre species, a source of life and death, a site of new beginnings and tragic endings, both wondrous and disastrous. From migration to melting ice caps, th...
Image and Inscription
Image and Inscription features the work of many of Canada’s distinguished authors, critics, curators, and artists who are recognized for their contribution to the discourse and practice of photography... it presents the diversity and the changeable milieu of photographic practice and evokes an unanticipated moment in Canadian photography. It also represents an important step in expanding the contemporary authorship on photography in Canada." - adapted from the Introduction by Robert Bean
Crossings
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Openings
"Memoir chronicling Sabra Moore's and other women artists' involvement in the feminist art movement and responses to racial tensions and reconciliation, war, struggles for reproductive freedom, and general social upheaval in New York City in the 1970s and 1980s"--
Trauma, Memory and Transformation
Different forms of trauma affect many millions of people. Trauma also helps to shape individual and collective memories. This innovative book explores how traumatic occurrences and processes are remembered. Using examples from well-known events like the Khmer Rouge genocide in Cambodia, the Indian Ocean tsunami in Aceh, and civil conflict in southern Thailand and Aceh, as well as the experiences of ‘comfort women’ in the Philippines, ethnic minority students and interreligious tensions in Malaysia, the contributors examine how people face, survive and make sense of the frictions and violence in their lives. Embracing history, ethnography, textual analysis, storytelling and art, the multidisciplinary perspective enables a deeper understanding of both traumatic stress and the structures of memory. Trauma, Memory and Transformation also moves the discussion of traumatic memory away from paralysis and towards transformative action, in the ways that memories of catastrophe can be reimagined as forms of resistance or even peace. This original book will be essential reading for all those interested in the study of memory in the Southeast Asian context.
The Longest Winter
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Art of the Twentieth Century
This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.
