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The Empress, the Queen, and the Nun
Historian Magdalena Sanchez offers an intriguing examination of the political power wielded by three women of the 17th-century court of Philip III of Spain--Empress Maria, Philip's grandmother; Margaret of Austria, Philip's wife; and Margaret of the Cross, Philip's aunt--all of whom worked behind the scenes to win favor for the causes of the Austrian Habsburgs. 13 illustrations.
The Women of Colonial Latin America
Surveying the varied experiences of women in colonial Spanish and Portuguese America, this book traces the effects of conquest, colonisation, and settlement on colonial women, beginning with the cultures that would produce Latin America.
Discourses of Poverty
Cruz examines the treatment of poverty, prostitution, war, and other social concerns in the cultural and literary discourses of early modern Spain.
Heretics Or Daughters of Israel?
Between 1391 and the end of the 15th century, numerous Spanish Jews converted to Christianity, most of them under duress. Before and after 1492, when the Jews were officially expelled from Spain, a significant number of these conversos maintained clandestine ties to Judaism, despite their outward conformity to Catholicism. Through the lens of the Inquisition's own records, this groundbreaking study focuses on the crypto-Jewish women of Castile, demonstrating their central role in the perpetuation of crypto-Jewish society in the absence of traditional Jewish institutions led by men. Renee Levine Melammed shows how many "conversas" acted with great courage and commitment to perpetuate their religious heritage, seeing themselves as true daughters of Israel. Her fascinating book sheds new light on the roles of women in the transmission of Jewish traditions and cultures.
Performing the Sacred: Christian Representation and the Arts
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
The Requiem of Tomás Luis de Victoria (1603)
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Early Modern Habsburg Women
As the first comprehensive volume devoted entirely to women of both the Spanish and Austrian Habsburg royal dynasties spanning the sixteenth and the seventeenth centuries, this interdisciplinary collection illuminates their complex and often contradictory political functions and their interrelations across early modern national borders. The essays in this volume investigate the lives of six Habsburg women who, as queens consort and queen regent, duchesses, a vicereine, and a nun, left an indelible mark on the diplomatic and cultural map of early modern Europe. Contributors examine the national and transnational impact of these notable women through their biographies, and explore how they tra...
A Companion to Cosimo I de’ Medici
Mining the rich documentary sources housed in Tuscan archives and taking advantage of the breadth and depth of scholarship produced in recent years, the seventeen essays in this Companion to Cosimo I de' Medici provide a fresh and systematic overview of the life and career of the first Grand Duke of Tuscany, with special emphasis on Cosimo I's education and intellectual interests, cultural policies, political vision, institutional reforms, diplomatic relations, religious beliefs, military entrepreneurship, and dynastic concerns. Contributors: Maurizio Arfaioli, Alessio Assonitis, Nicholas Scott Baker, Sheila Barker, Stefano Calonaci, Brendan Dooley, Daniele Edigati, Sheila ffolliott, Catherine Fletcher, Andrea Gáldy, Fernando Loffredo, Piergabriele Mancuso, Jessica Maratsos, Carmen Menchini, Oscar Schiavone, Marcello Simonetta, and Henk Th. van Veen.
Gender and the Woman Artist in Early Modern Iberia
This monograph explores the social constructs surrounding artistic production in early modern Iberia through the lenses of gender and class by examining the rarely considered contribution of creative women in Spain and Portugal between 1550 and 1700. Using the life-stage framework popular in texts of the period and drawing on a broad spectrum of materials including conduct guidebooks, treatises and conventual rules, this book examines the constraints imposed by gender-related social structures through microhistories of nuns, married, and unmarried women. The text spans class boundaries in its analysis of the work of painters, engravers, and sculptors, many of whom have until now eluded scholarly attention in English-language publications. An extensive bibliography promotes new avenues of inquiry into women’s contributions to the visual arts of the period. This book will be of interest to scholars working in art history, gender studies, women’s history, early modern Iberian studies, and Renaissance studies.
Creating Christian Granada
Creating Christian Granada provides a richly detailed examination of a critical and transitional episode in Spain's march to global empire. The city of Granada-Islam's final bastion on the Iberian peninsula-surrendered to the control of Spain's "Catholic Monarchs" Isabella and Ferdinand on January 2, 1492. Over the following century, Spanish state and Church officials, along with tens of thousands of Christian immigrant settlers, transformed the formerly Muslim city into a Christian one. With constant attention to situating the Granada case in the broader comparative contexts of the medieval reconquista tradition on the one hand and sixteenth-century Spanish imperialism in the Americas on th...
