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Gathering the best work from Patricia Young's eight books of poetry, as well as strong new poems that fittingly speak to the passage of time, Ruin & Beauty brings together in one volume the elusive yet buoyant epiphanies that together form a life.
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USA TODAY’s 5 Books Not to Miss Vanity Fair’s Books To Get You Through the Winter Marie Claire’s 2020 Books to Add To Your Reading List PopSugar’s 20 Books Everyone Will Be Talking About Cosmopolitan’s 20 Books to Read this Winter The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed “Other” into concentration camps. Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to...
This debut poetry collection from Lisa Bird-Wilson reflects on the legacy of the residential school system: the fragmentation of families and histories, with blows that resonate through the generations. Inspired by family and archival sources, Bird-Wilson assembles scraps of a history torn apart by colonial violence. The collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into “black files" and “red files." In vignettes as clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral. The collection also explo...
Poems in Maleea Acker's second collection range over continents and countries, asking an essential question for our time: How do we live in the world? The poems seek always to approach that threshold between human and natural worlds, attending to what can be seen and sensed with a fine ear and eye. We meet one another at the threshold, through a "splice of intimacy," displaced, the poet says, finding temporary homes and intimacies with one another and with all living things.
From the author of Life of Pi, comes an edgy, funny and devastating novel. Self is the fictional autobiography of a young writer at the heart of which is a startling twist. This extraordinary life meanders through a rich, complicated, bittersweet world. The discoveries of childhood give way to the thousand pangs of adolescence, culminating in the sudden shocking news of an accident abroad. And as adulthood begins, indecisively, boundaries are crossed between countries, languages and people . . .
Poetry. Atmospherically light and stylistically expansive--poems that regard our givens as a gift. At the centre of THE LOST LETTERS is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood's deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading--extraordinarily inventive and constantly surprising--of contemporary secular society.
Pluviophile veers through various poetic visions and traditions in search of the sacred within and beyond language. Its poems continually revitalize form, imagery and sonancy to reconsider the ways we value language, beauty and body. The collection houses sonnets and other shorter poems between larger, more meditative runes. One of these longer poems, “The Place Words Go to Die,” winner of The Malahat Review’s 2016 Far Horizons Award for Poetry, imagines an underworld where words are killed and reborn, shedding their signifiers like skin to re-enter a symbiotic relationship with the human, where “saxum [is] sacrificed and born again as saxifrage.” From here the poems shift to diverse locations, from Montreal to Kolkata, from the moon to the gates of heaven.
A searing debut collection of short stories. Fragments, and tales, of the ordinary, and the astounding. Already a huge smash in Canada, and ready to take on the rest of the world. "Alissa York cares fiercely for the integrity of her characters and never intrudes herself upon them, or us. These are truly orginal stories, charged with the luminous detail which makes us see life afresh." [Sean Virgo]
In a powerful debut novel author Rahela Nayebzadah introduces three unforgettable characters, Beh, Shabnam and Alif. In a world swirling with secrets, racism and a touch of magic we watch through the eyes of these three children as Nayebzadah's family of Afghan immigrants try to find their way in an often uncaring society. But as a sexual assault on thirteen-year-old Beh unleashes the past and destroys the family the reader is left wondering who is the monster child? Is it Beh, who says she is called a disease? Is it Shabnam, who cries tears of blood? Is it Alif, who in the end declares We are a family of monsters? Or are the monsters all around us?