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Nina Simone's quadruple consciousness -- Efua Sutherland, Ama Ata Aidoo, the state, and the stage -- The radical ambivalence of Günther Kaufmann -- The Cockettes, Sylvester, and performance as life -- Afterword : a history of impossible progress
An unprecedented look at the contemporary collective's theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group's twentieth anniversary. An overview essay relates their work's formal qualities to several historical moments over this span: the club era following S...
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Charles Gaines: Gridwork 1974-1989 is the first solo museum exhibition focused exclusively on the American artist's early bodies of work. Widely regarding as one of the leading exponents of Post-minimalist art in the late 1970s, Charles Gaines is known primarily for his photographs, drawings and works on paper that investigate systems, cognition and language. This exhibition catalogue includes full-color reproductions of works included in the exhibition from series produced between 1974 and 1989, including Numbers & Trees (1989), Motion: Trisha Brown Dance (1981) and Walnut Tree Orchard (1975), among others; newly commissioned essays by Anne Ellegood, Malik Gaines, Naima J. Keith, Courtney J. Martin, Howard Singerman, Bennett Simpson, Ellen Tani, with an introduction by Studio Museum Director and Chief Curator, Thelma Golden; introductory texts for each series; and an illustrated chronology.
Published in conjunction with the exhibition Made in L.A. 2012, organized by the Hammer Museum in collaboration with LAX Art.This monograph honors the recipient of the Mohn Award 2012. Consists of three essays and eight "chapters" of images in the plate section.
"This book is published in conjunction with the exhibition Kehinde Wiley: a portrait of a young gentleman, organized by the Huntington Library, Art Museum, and Botanical Gardens. Malik Gaines investigates the artist's post-modern strategy of inserting Black subjects into canonical European settings. Kimberly Chrisman-Campbell situates Wiley's work within the traditions and trappings of grand manner eighteenth-century portraiture"--
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.