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Black Performance on the Outskirts of the Left
Nina Simone's quadruple consciousness -- Efua Sutherland, Ama Ata Aidoo, the state, and the stage -- The radical ambivalence of Günther Kaufmann -- The Cockettes, Sylvester, and performance as life -- Afterword : a history of impossible progress
My Barbarian
An unprecedented look at the contemporary collective's theatrical art, charting their performances and exploring their social and creative commitments The first monographic publication on the art collective My Barbarian (Malik Gaines, Jade Gordon, and Alexandro Segade) offers new insights into the work of this singular group of performers. My Barbarian has used performance to theatricalize social issues, adapting narratives from modern plays, historical texts, and mass media; this volume accompanies a major retrospective celebrating the group's twentieth anniversary. An overview essay relates their work's formal qualities to several historical moments over this span: the club era following S...
Meleko Mokgosi
Published in conjunction with the exhibition Made in L.A. 2012, organized by the Hammer Museum in collaboration with LAX Art.This monograph honors the recipient of the Mohn Award 2012. Consists of three essays and eight "chapters" of images in the plate section.
Charles Gaines
Charles Gaines: Gridwork 1974-1989 is the first solo museum exhibition focused exclusively on the American artist's early bodies of work. Widely regarding as one of the leading exponents of Post-minimalist art in the late 1970s, Charles Gaines is known primarily for his photographs, drawings and works on paper that investigate systems, cognition and language. This exhibition catalogue includes full-color reproductions of works included in the exhibition from series produced between 1974 and 1989, including Numbers & Trees (1989), Motion: Trisha Brown Dance (1981) and Walnut Tree Orchard (1975), among others; newly commissioned essays by Anne Ellegood, Malik Gaines, Naima J. Keith, Courtney J. Martin, Howard Singerman, Bennett Simpson, Ellen Tani, with an introduction by Studio Museum Director and Chief Curator, Thelma Golden; introductory texts for each series; and an illustrated chronology.
Mark Bradford
Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.
The Advocate
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Kehinde Wiley
"This book is published in conjunction with the exhibition Kehinde Wiley: a portrait of a young gentleman, organized by the Huntington Library, Art Museum, and Botanical Gardens. Malik Gaines investigates the artist's post-modern strategy of inserting Black subjects into canonical European settings. Kimberly Chrisman-Campbell situates Wiley's work within the traditions and trappings of grand manner eighteenth-century portraiture"--
Lorraine O'Grady
Four decades of multimedia exploits in race, art politics and subjectivity: a long-overdue survey on conceptual performance artist Lorraine O'Grady Conceptual performance artist Lorraine O'Grady burst into the contemporary art world in 1980 dressed in a gown made of 180 pairs of white gloves and wielding a chrysanthemum-studded whip. For the next three years, O'Grady documented her exploits as this incendiary fictional persona, visiting gallery openings and providing critiques of the racial politics at play in the New York art scene. The resulting series, Mlle Bourgeoise Noire, was merely the beginning of a long career of avant-garde work that would continue to build upon O'Grady's conceptio...
Made in L.A. 2012
Bringing together the work of 60 artists from in and around Los Angeles--many of them emerging or under-recognized--this collection of paintings, sculpture, installations, and stills from video and performance art offers a snapshot of the current trends and practices coming out of one of the world's most active and energetic art communities. The book features 52 visual artists and 8 performance artists, each in double-page spreads, while an essay with contributions from the exhibition's 5 curators highlights the challenges and rewards of mounting such an extensive project. This groundbreaking exhibition takes place simultaneously at multiple Los Angeles locations: the Hammer Museum, LA>
Alexandro Segade: The Context
Drawing on critical theory, minimalism, constructivism and more, Alexandro Segade reimagines the superhero comic book as a queer parable of belonging A graphic novel by New York-based artist and My Barbarian member Alexandro Segade (born 1973), The Contextfollows six powerful beings from different worlds who find themselves inexplicably adrift together in an otherwise lifeless void: Biopower, Cathexis, Barelife, Objector, Drives and Form. The characters, each named for a concept drawn from critical theory, engage one another in skintight fight scenes that often look like sex scenes, and philosophical debates masked as exposition. As a lifelong fan and a more recent critic of the superhero genre, Segade approached his first graphic novel as a solo performance, acting out all the roles: writer, penciller, inker, colorist and letterer. The Contextconsiders the form of the graphic novel through conceptual, minimalist, op art and constructivist aesthetics, while paying homage to the great cosmic comics of the 1970s and '80s: Silver Surfer, Legion of Super Heroes, Green Lantern, Adam Warlockand X-Men.
