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With Mande Music, Eric Charry offers the most comprehensive source available on one of Africa's richest and most sophisticated music cultures. Using resources as disparate as early Arabic travel accounts, oral histories, and archival research as well as his own extensive studies in Mali, Guinea, Senegal, and the Gambia, Charry traces this music culture from its origins in the thirteenth-century Mali empire to the recording studios of Paris and New York. He focuses on the four major spheres of Mande music—hunter's music, music of the jelis or griots, jembe and other drumming, and guitar-based modern music—exploring how each evolved, the types of instruments used, the major artists, and how each sphere relates to the others. With its maps, illustrations, and musical transcriptions as well as an exhaustive bibliography, discography, and videography, this book is essential reading for those seeking an in-depth look at one of the most exciting, innovative, and deep-rooted phenomena on the world music scene. A compact disc is available separately.
This study follows green tea from China to Mali along its historical trade routes halfway around the world, examining the circumstances of its introduction, the course of the tea ritual, the equipment to prepare and consume it, and the meanings that it assumed.
This collection of essays analyzes different iterations of African unity, exploring the political and cultural visions that informed projects aimed at African unification. It explores the cultural, economic and non-state aspects of the Organisation of African Unity (OAU) as the principal institution dedicated to the cooperation of African states, from its establishment in 1963 to its transformation into the African Union (AU) in 2000, as well as how ideas of African unity shaped the Cold War and African liberation struggles. Bringing together contributors from a diverse range of disciplinary backgrounds across Africa, Europe and the US, this book investigates the ideological origins and historiography of Pan-African and unification projects, and considers how African intellectuals, leaders and populations engaged with these ideas.
This book, based on components of Drama for Life, addresses the subject of “innovative methods for applied drama and theatre practice in African contexts”. It does so by providing chapters that share the rich, multilayered, and reflexive work that has taken place at Drama for Life from 2008 to the present day. It invites the reader to learn from the experiences of Drama for Life as shared by the authors, understand the role it has played and continues to play in advocating for, and extending the work of, Applied Drama and Theatre practice, and engage in critical, dialogical spaces to examine and interrogate current debates and practices in the field of Applied Drama and Theatre. The volume is invaluable for anyone interested in the extensive body of work generated by Drama for Life and its innovative approaches to learning and teaching, as well as performing arts practitioners, artists, teachers, people in community development and service work, and anyone involved in researching Applied Drama and Theatre practice, particularly in an African context, but also globally.
Founded in the early thirteenth century, the Mali Empire stretched from the Atlantic coast of West Africa across the savannah lands to Timbuktu and Gao. Comprised of multiple ethnics groups—the Soninke, the Mandenka, Fula, Sosso, Tuareg, Sonrai, Almoravids—Mali was politically dominated by the Mandenka people who developed a comprehensive, eloquent, and ennobling historical tradition that has garnered international recognition and praise. Combining music, poetry, drama, storytelling, genealogy, history, and philosophy, the Malinke griot or jeli interprets Mali’s history both aesthetically and discursively with the utilitarian objective of maintaining peaceful and ethical social relatio...
This study argues that material compensation and caste status are essential to the signifying practice of Malian jeliw ("griots") and its continuing relevance. As Mande society's hereditary "masters of the word", jeliw� entrance their listeners with accounts of ancestors' heroic deeds, sometimes in the context of epic recitations and sometimes in popular song. These genealogical narratives function as praise in a society that understands descent as an essential constituent of personality. Indexing an imperial social order with inherited bonds of obligation between patron and client, this praise reproduces the status of the jeliw. Gifts of cash and goods to the jeliw on the occasions of t...
Central to the Jensen Memorial Lectures 2023 is an invitation to take incompleteness seriously in how we imagine, relate to and seek to understand a world in perpetual motion. Despite our instinct for and obsession with completeness, we are constantly reminded that the sooner one recognises and provides for incompleteness and the conviviality it inspires as the normal way of being, the better we are for it. Fluidity, compositeness and the capacity to be present in multiple places and forms simultaneously in whole or in fragments are core characteristics of reality and ontology of incompleteness. How would we frame our curiosities and conversations about processes, relationships and phenomena...
Essays in Memory of Jan-Georg Deutsch The volume observes some of the principles that drove Prof. Jan-Georg Deutsch's research: highlighting present-day politics for the way they shape historical remembrance, learning from people on the ground through fieldwork and oral history, and bringing various parts of the African continent into discussion with one another. From Cape Town to Charlottesville, many societies are grappling with historical consciousness and the production of public memory. In particular, how and why societies remember and forget, what should serve as symbols of collective memory, and whether there exists space for multiple memory cultures are questions being vigorously deb...
These essays examine Sunjata from a variety of perspectives.