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A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.
The heavenly peace of the monastery of Santa Caterina is under threat: construction work in the old walls is making quiet comtemplation almost impossible. There’s something a little peculiar about the new nun, Sister Donna, too. Before Sister Isabella can get to the heart of Sister Donna’s oddities, she’s found dead in the cloisters. The nuns are terrified and fear for their lives. Can Sister Isabella and Carabiniere Matteo find the kill before another disaster...? But there are bigger fish to fry than Donna's odd behaviour. The convent is undergoing renovations and Isabella has to supervise them. And as if that wasn’t enough, an unexpected guest has arrived - Gina Bellucci. Is she r...
Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.
The origin of the Intelligent Virtual Agents conference dates from a successful workshop on Intelligent Virtual Environments held in Brighton at the 13th European Conference on Artificial Intelligence (ECAI'98). This workshop was followed by a second one held in Salford in Manchester in 1999. Subsequent events took place in Madrid, Spain in 2001 and Irsee, Germany in 2003 and attracted participants from both sides of the Atlantic as well as Asia. th This volume contains the proceedings of the 5 International Working Conference on Intelligent Virtual Agents, IVA 2005, held on Kos Island, Greece, September 12–14, 2005, which highlighted once again the importance and vigor of the research fie...
This book explores how the European Union designs its trade policy to face the most recent challenges and to influence global policy issues. It provides with an interdisciplinary perspective, by combining legal, political, and economic approaches. It studies a broad set of trade instruments that are used by the EU in its trade policy, such as: trade agreements, multilateral initiatives, unilateral trade policies, as well as, internal market tools. Therefore, the contributions to this volume present the EU’s Trade Policy through different lenses providing a complex view of it.
It’s Into The Fire – But Who’s Burning? Paying It Forward... Larry Klempner has a Past, and it’s not one he’s proud of. But the ex-trafficker is trying to forge a hopeful future from his wasted years. When an old acquaintance thrusts him into a situation that has ‘The Past’ written all over it, what are Klempner’s choices? Fighting takes on many forms and running isn’t an option. Klempner will need to bring his A-Game to the front for this one. When you’re drawn Into the Fire, someone will burn. But who? A Steamy Standalone Larry Klempner Thriller Approx 23,700 Words PLEASE NOTE: This novella-length story was originally published as part of the 'Into the Fire' anthology (now out of print).
As a young woman in Florence, Diana Savrano's life is a privileged one of elegant balls, handsome suitors and frivolity. But the sudden death of her mother leaves her adrift and abandoned. As she sobs over her mother's casket, another member of the procession reveals the awful truth. Before her last days, Diana's mother had joined a Luciferian cult. Despite knowing little beyond her pampered world, Diana determines to unmask those responsible for her mother's death. But someone does not want such secrets revealed, and they are willing to send assassins to keep her silent. Paranoia and loneliness set in as even her closest friends reveal hidden agendas. Worst of all, the further she follows the intertwined threads, the closer they appear to lead to her own father.
Meet FBI Agents Emma Monroe and Zack Armstrong. She's cursed. He's damned. Together, they make one hell of a team. Emma Monroe is a Siren, cursed by the gods and bound to earth to atone for an ancient failure. She’s had many names and many lives, but only one mission: redemption. Now that she works missing persons cases for the FBI, it could be just a rescue away. Unless her new partner leads her astray. Special Agent Zack Armstrong just transferred into the San Diego Field Office. He’s a werewolf, doing his best to beat back the demons from his dark and dangerous past. As a former Black Ops sniper, he’s taken enough lives. Now he’s doing penance by saving them. Emma and Zack’s very first case draws them deep into the realm of the paranormal, and forces them to use their own supernatural abilities. But that leaves each of them vulnerable, and there are lines partners should not cross. As secrets are revealed and more women go missing, one thing becomes clear: as they race to save the victims, Emma and Zack risk losing themselves. FIRST IN A NEW SERIES!
Helen Thompson's Ingenuous Subjection offers a new feminist history of the eighteenth-century domestic novel. By reading social contract theory alongside representations of the domestic sphere by authors such as Mary Astell, Mary Davys, Samuel Richardson, Eliza Haywood, and Frances Sheridan, Thompson shows how these writers confront women's paradoxical status as both contractual agents and naturally subject wives. Over the long eighteenth century, Thompson argues, domestic novelists appropriated the standard of political modernity advanced by John Locke and others as a citizen's free or "ingenuous" assent to the law. The domestic novel figures feminine political difference not as women's dev...
Shopping was as important in the Renaissance as it is in the 21st century. This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of antiquities and holy relics. It asks how men and women of different social classes went out into the streets, squares and shops to buy the goods they needed and wanted on a daily or on a once-in-a-lifetime basis during the Renaissance period. Drawing on a detailed mixture of archival, literary and visual sources, she exposes the fears, anxieties and social possibilities of the Renaissance...