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The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.
From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR
The present book is an effort to understand the role of masonry in the introduction of freedom of worship in Mexico. With erudition, the author leads us through the stages ending with the victory of the liberal republic, headed by Benito Juárez, and the establishment thereby of freedom of worship, which made possible the insertion of American protestant missions in Mexico. Many Protestants brought not only their faith, but Freemasonry as well. - Dr. Adolfo García de la Sienra Guajardo Director del Instituto de Filosofía - Universidad Veracruzana, México Presidente de la Sociedad Iberoamericana de Metodología Económica This is a scholarly study, well documented, analyzing one of the most controversial themes in the history of Mexico. In the work of Sara Frahm, Masonry ceases being mysterious, and is revealed as one of the strong components that shaped 19th century Mexico - María Eugenia Vázquez Semadeni, Visiting Assistant Professor, Department of History, UCLA.