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The Clarinet
The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.
Al-Andalus
From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR
Preaching Power
This book uses a gender perspective to examine sermons and other officially endorsed discourses of the Catholic Church in eighteenth- and nineteenth-century Mexico City. Analyzing the different ways that, over time, gendered images, metaphors, and hagiographical examples were used in sermons and other documents, the book examines how the church negotiated challenges to its cultural and ideological hegemony. Beginning with sermons from the early eighteenth century, the author follows the evolution of church discourses as preachers reveled in Baroque analogies, embraced ideals of the Enlightenment, targeted women's alleged moral vices at times of political crisis, and ultimately turned to notions of women as "the devout sex" in order to combat incipient liberalism. Put another way, liberals after independence were not the only ones to assert a kind of "republican motherhood": preachers countered with a vision of "Catholic motherhood" that had great resonance in Mexico even into the twentieth century.
Living in Silverado
In this thoroughly researched work, David M. Gitlitz traces the lives and fortunes of three clusters of sixteenth-century crypto-Jews in Mexico's silver mining towns. Previous studies of sixteenth-century Mexican crypto-Jews focus on the merchant community centered in Mexico City, but here Gitlitz looks beyond Mexico's major population center to explore how clandestine religious communities were established in the reales, the hinterland mining camps, and how they differed from those of the capital in their struggles to retain their Jewish identity in a world dominated economically by silver and religiously by the Catholic Church. In Living in Silverado Gitlitz paints an unusually vivid portrait of the lives of Mexico's early settlers. Unlike traditional scholarship that has focused mainly on macro issues of the silver boom, Gitlitz closely analyzes the complex workings of the haciendas that mined and refined silver, and in doing so he provides a wonderfully detailed sense of the daily experiences of Mexico's early secret Jews.
