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"Published in conjunction with the exhibition 'Yona Friedman -- Genesis of a Vision,' which was presented in 2012 at Archizoom, École Polytechnique Fédérale de Lausanne (EPFL), Switzerland. ... The first part brings together a large number of projects and proposals by Yona Friedman into a classified anthology, which includes unpublished works. The second part presents an essay by Manuel Orazi that reconstructs the many facets of Freidman's work since his formative years and places it within the political and geographical context of its time"--Last page.
An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.
Rarely has a subject been served by a book of this stature. Five years in the making, it covers all aspects of Art Nouveau in France in 624 authoritative pages and 740 illustrations. Arwas traces the evolution of the movement as it developed, primarily in Nancy and Paris, with the help of carefully chosen illustrations, many never published before. Ranging from the 1900 Paris exhibition to paintings, graphics and posters and such collecting fields as furniture, jewellery, ceramics, book bindings and sculpture, the informative, witty text ranges over architecture, haute couture, and the role of women in Art Nouveau with a particular look at such theatrical icons as Sarah Bernhardt, Loïe Fuller and the Grandes Horizontales. Destined to become the standard book on the subject, both content and design will appeal widely to the connoisseur, the specialist and the collector, as well as to the novice who will be introduced to the magical wonders of the style.
First Published in 2005. This classic work presents sixteen key myths and legends of the Arthurian, Carolingian, Teutonic and Scandinavian cycles which embody the chivalric code and which inspired the greatest works of romance literature and art. Some, like Tristan and Isolde, Merlin and the Niebelungenlied, are well known. Others, such as the tale of the Amelings and the Langobardian Cycle are rarely encountered. All of the tales and the tourneys, quests, vows, battles and betrayals of which they tell have retained their enchanting power through the ages. They illuminate the mystical significance of knighthood and its ethos of self-purification and honour, allowing us to decode many of the allusions found in medieval art, literature and song. Written for the general reader with captivating style, this work makes the lore of the chivalric Middle Ages accessible and enriches our understanding of a magnificent age.
Profiles the dancer who broke the mold of traditional choreography and paved the way for other pioneers in modern dance
“Plot”, writes Peter Brooks, “is so basic to our very experience of reading, and indeed to our articulation of experience in general, that criticism has often passed it over in silence…” (Reading for the Plot, xi). Finding the Plot both explores and helps to redress this critical neglect. The book brings together an international group of scholars to address the nature, effects and specific pleasures of consuming stories. If the central focus is on France and popular literary fiction, the book’s scope – like contemporary fiction itself – observes no national frontiers, and extends across a variety of media. The book addresses both the empirical question of which genres and types of text have been and are most “popular”, and the theoretical questions of how plots work, what pleasures they offer to readers, and why it matters that the plot should not be lost.
Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish...
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
From ancient Sumerian pottery to Tiffany stained glass, decorative art has been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, Albert Jacquemart celebrates the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.
This groundbreaking study examines the intricate relationship between the rise of the nineteenth-century bourgeoisie and the emergence of modern architecture, exploring this connection through major intellectual and theoretical works while also analyzing their tangible manifestations in buildings and architectural projects. Contrary to received narratives that describe the birth of modern architecture as primarily an aesthetic movement, Ornament and Class argues that the social and political maturation of the European bourgeoisie as a distinct-yet-heterogeneous group influenced modern attitudes toward architecture at every level. Bringing architecture into conversation with recent histories ...