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Boeing Boeing
18-22 November, Pioneer Hall, 29 November Gladstone District Hall, (year ascertained from information on the back of the program); directed by Keith Hind.
Happy Birthday
Bernard has foolishly asked his mistress, Brigit, to his home on her birthday despite the fact his wife Jacqueline is present. He has also invited his oldest friend, Robert and asks him to pretend Brigit is his mistress. Robert refuses as he is having an affair with Jacqueline, but Bernard cunningly involves him anyway.3 women, 2 men
Boeing Boeing
Performances of "Boeing Boeing" by the St Jude's Players, directed by Les Zetlein, cast listed are: John Koch, Charlotte Batty, Lindy LeCornu, Tim Taylor, Carla Hardie and Jessica McGaffin.
Contemporary Farce on the Global Stage
Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter. Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the ...
The Deadly Stroke
With the defeat of the French forces by the Germans, Winston Churchill was determined that the French fleet would not fall into German hands, and to that end he ordered that every French ship from Alexandria to Martinique, Portsmouth to Dakar either surrender or be seized. Only those in Algeria committed to the Vichy government refused. In a tragic and ironic battle the British sank the French fleet at Oran, the author explores in detail the events surrounding this event. With an Introduction by Sir John Colville.
On Borrowed Time
Life is short. This indisputable fact of existence has driven human ingenuity since antiquity, whether through efforts to lengthen our lives with medicine or shorten the amount of time we spend on work using technology. Alongside this struggle to manage the pressure of life’s ultimate deadline, human perception of the passage and effects of time has also changed. In On Borrowed Time, Harald Weinrich examines an extraordinary range of materials—from Hippocrates to Run Lola Run—to put forth a new conception of time and its limits that, unlike older models, is firmly grounded in human experience. Weinrich’s analysis of the roots of the word time connects it to the temples of the skull, demonstrating that humans first experienced time in the beating of their pulses. Tracing this corporeal perception of time across literary, religious, and philosophical works, Weinrich concludes that time functions as a kind of sixth sense—the crucial sense that enables the other five. Written with Weinrich’s customary narrative elegance, On Borrowed Time is an absorbing—and, fittingly, succinct—meditation on life’s inexorable brevity.
Auditions
Auditions are an integral part of every performer's life. From getting into drama school, through to a successful career in an overcrowded industry, Auditions: A Practical Guide offers crucial advice and tried-and-tested techniques to maximize success before, during and after each audition. Written by an established casting director and former actor with thirty years of experience on a wide range of productions, this book offers a wealth of personal and professional insights covering: drama and theatre schools classical, contemporary, physical and musical theatre television and radio drama screen tests and commercial castings voice work recalls and workshops handling job offers, and rejection. From training to triumph, nerves to networking and camera to casting couch, Auditions: A Practical Guide is an entertaining, accessible, and indispensable read for every performer. For more resources, please visit www.auditionsapracticalguide.com.
Boulevard Comedy Theatre in Germany
Twenty major German cities have a total of twenty-four theatres specializing, at a high level of sophistication, in presenting light comedy. They have their own typical ambience, principles of artistic management and casting. There are playwrights, actors, directors and designers who work almost exclusively in the genre, called boulevard comedy, developing highly specialised approaches to their work. In almost all cases, the predominantly privately run boulevard comedy theatres in Germany have been able to attract larger audiences than municipal or state theatres in the same cities. The book provides a description and an analysis of this phenomenon, which is unique to Germany. Chapters focus on an analysis of ambience, artistic managers, artistic policies and artistic structures, on major characteristics of the plays presented on the stages of German boulevard comedy theatres, on aspects of translation and the cultural transfer of comedy and laughter and on aspects of production and reception, dealing in turn with actors, directors, media coverage and audiences.
Samuel Beckett and the Theatre of the Witness
Samuel Beckett and the Theatre of the Witness explores Beckett's representation of physical pain in his theatre plays in the long aftermath of World War II, emphasising how the issues raised by this staging of pain speak directly to matters lying at the heart of his work: the affective power of the human body; the doubtful capacity of language as a means of communication; the aesthetic and ethical functioning of the theatre medium; and the vexed question of intersubjective empathy. Alongside the wartime and post-war plays of fellow Francophone writers Albert Camus, Eugène Ionesco, Pablo Picasso, and Marguerite Duras, this study resituates Beckett's early plays in a new conceptualising of le...
