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Ana
ANA, la que al poeta invita, ANA para siempre y durante la brisa, sin entender de poesía tan sólo erigiéndose como sólo ella, ANA, dulce y romántica y una en particular. ANA anticipa lo que escribo en todo lo que amo, y como una tempestad me conduce sin tregua, y la veo nacer y crecer y morir y resucitando en zigzagueos literarios, ANA, la que interpreto y percibo, ANA en mis versos y en todo sitio, ANA en mis letras. Alguien me ama sin importar qué, ANA. ANA es la aceptación de ser quien soy, como hombre y como escritor.
Moebius
A este poeta de arrugas en la frente su musa lo envuelve en tiempo, la luna es su símbolo de amor su pasión y su silencio, a lugares y colores él pertenece los sonidos son todas sus preguntas y respuestas, el mismo amor la misma sangre, completamente amor, completamente poesía. El poeta es un pescador y la musa es su dama, la voz y los dominios son cenizas que al corazón mandan, si fuego si mértiro, si el hecho de que despierte por las mismas calles que yo, un idioma es una esquina y una mirada y en seguida otra. No hay mérito mayor que el de ser un mar sin sueño, quizá lo real es lo que imagino tal vez el amor es un oficio tanto de día como de noche, no necesito a nadie más resbalando por mi cuerpo, el universo de lo sencillo es lo que soy, si no me crees te lo puedo jurar.
Tinta de Sangre
“El amor del que todos hablan” es un mismo poema. Su voz literaria por momentos parece dirigirse siempre al mismo amor, al cuerpo de mujer, al pasado, a los sueños, a los hijos de la melancolía y también de los versos, todo con intensidad. Tinta de Sangre destaca a su mundo con el alma desnuda y entonces abunda en imágenes, a veces es verso libre, otras, combina poetas como si viajeras letras en él fluyeran. El amor se manifiesta y él escribe.
New Horizons in Spanish Colonial Law
http://dx.doi.org/10.12946/gplh3 http://www.epubli.de/shop/buch/48746 "Spanish colonial law, derecho indiano, has since the early 20th century been a vigorous subdiscipline of legal history. One of great figures in the field, the Argentinian legal historian Víctor Tau Anzoátegui, published in 1997 his Nuevos horizontes en el estudio histórico del derecho indiano. The book, in which Tau addressed seminal methodological questions setting tone for the discipline’s future orientation, proved to be the starting point for an important renewal of the discipline. Tau drew on the writings of legal historians, such as Paolo Grossi, Antonio Manuel Hespanha, and Bartolomé Clavero. Tau emphasized t...
Dark Prisms
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
The Story of Don John of Austria
This historical work presents the biography of Don John of Austria, the winner of the battle of Lepanto against the Ottoman Empire and many more combats. John was an illegitimate son of Holy Roman Emperor Charles V. He became a military chief in the service of, King Philip II of Spain, and is famous worldwide for his part as the admiral of the Holy Alliance fleet at the Battle of Lepanto. The author of this work, Spanish writer and journalist Luis Coloma, built interest in the readers by introducing a new kind of book that was a mixture of novel and history. He displayed the story of Don John of Austria from his tempting childhood to his death. This work is neatly documented and described to verify the facts further. Since one cannot separate the life and legacy of Don John of Austria from the turbulent period in which he lived, this work represents the history of Spain during his era. This incredible history remains exciting to the very end.
The Object of the Atlantic
The Object of the Atlantic is a wide-ranging study of the transition from a concern with sovereignty to a concern with things in Iberian Atlantic literature and art produced between 1868 and 1968. Rachel Price uncovers the surprising ways that concrete aesthetics from Cuba, Brazil, and Spain drew not only on global forms of constructivism but also on a history of empire, slavery, and media technologies from the Atlantic world. Analyzing Jose Marti’s notebooks, Joaquim de Sousandrade’s poetry, Ramiro de Maeztu’s essays on things and on slavery, 1920s Cuban literature on economic restructuring, Ferreira Gullar’s theory of the “non-object,” and neoconcrete art, Price shows that the turn to objects—and from these to new media networks—was rooted in the very philosophies of history that helped form the Atlantic world itself.
The House with the Stained-Glass Window
"Zanna Sloniowska writes beautifully; with empathy, sensitivity, and with real political impact . . . an important new voice in Polish literature" OLGA TOKARCZUK, Nobel Prize-winning author of Flights "Remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century . . . A novel of life and survival across the ages" PHILIPPE SANDS, author of East West Street Amid the turbulence of 20th century Lviv, meet four generations of women from the same fractious family, living beneath one roof and each striving to find their way across the decades of upheaval in an ever-shifting city. First there is Great-Granma, tiny and terrifying, shaped by a life of exile, hards...
Critical Junctures and Historical Legacies
Over the past 50 years, scholars across the social sciences have employed critical juncture analysis to understand how social orders are created, become entrenched, and change. In this book, leading scholars from several disciplines offer the first coordinated effort to define this field of research, assess its theoretical and methodological foundations, and use a critical assessment of current practices as a basis for guiding its future. Contributors include stars in this field who have written some of the classic works on critical junctures, as well as the rising stars of the next generation who will continue to shape historical comparative analysis for years to come. Critical Junctures and Historical Legacies will be an indispensable resource for social science research methods scholars and students.
