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Global Eastern Orthodoxy
This volume highlights three intertwined aspects of the global context of Orthodox Christianity: religion, politics, and human rights. The chapters in Part I address the challenges of modern human rights discourse to Orthodox Christianity and examine conditions for active presence of Orthodox churches in the public sphere of plural societies. It suggests theoretical and empirical considerations about the relationship between politics and Orthodoxy by exploring topics such as globalization, participatory democracy, and the linkage of religious and political discourses in Russia, Greece, Belarus, Romania, and Cyprus. Part II looks at the issues of diaspora and identity in global Orthodoxy, presenting cases from Switzerland, America, Italy, and Germany. In doing so, the book ties in with the growing interest resulting from the novelty of socio-political, economic, and cultural changes which have forced religious groups and organizations to revise and redesign their own institutional structures, practices, and agendas.
Annual Review of the Sociology of Religion. Volume 11 (2020)
As China is being increasingly integrated into the global economy, more and more Chinese people live transnational lives and practice religion globally. So far scholarship of the relationship between religion and globalization in the Chinese religious field has primarily been set in the historical context of the encounter between Western Christian missionaries and local Chinese agents, and little is known about a global Chinese religious field that is in the making. The Annual Review of the Sociology of Religion volume 11: Chinese Religions Going Global seeks to challenge the dichotomous ordering of the western global and the Chinese local, and to add a new perspective for understanding religious modernity globally. Contributors from four continents who represent a range of specialisms apply social scientific methods in order to systematically research the globalization of Chinese religions.
A History of Italian Cinema
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Congregations in Europe
This volume describes and maps congregations of Christian confessions and denominations, as well as groups with Jewish, Buddhist, Muslim, Hindu, and various other spiritual faiths, in different European countries. Consisting of three parts, it presents concrete sociological studies addressing how established and not established, old and new congregations of various faiths create a new kind of religious diversity at the country level; how religious congregations are challenged and thrive in large cities; and how religious congregations change in the 21st century. The book enlightens by its descriptive analysis and the theoretical questions it raises concerning the religious transformations ha...
Italian Horror Film Directors
There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.
Glocal Religions
This book is a printed edition of the Special Issue "Glocal Religions" that was published in Religions
Colonial America on Film and Television
The early history of American settlement, pioneering, and independence is marked by fascinating characters and events often shrouded in legend. Filmmakers have sought to capture these characters, as diverse as Daniel Boone, Francis Marion and Pocahontas, and events, as disparate as the Lost Colony, the Boston Tea Party and the French and Indian War. This comprehensive filmography provides production information and commentary on all films and television episodes set during the years between the first settlements in the future United States and the fledgling country's War of 1812 with Britain. Films are arranged alphabetically, and a detailed introduction provides a thorough overview of the period, with references to films chronicling specific events.
The Routledge International Handbook of Sociology and Christianity
The Routledge International Handbook of Sociology and Christianity examines the intersection of the sociology of religion – a long-standing focus of sociology as a discipline – and Christianity – the world’s largest religion. An internationally representative and thematically comprehensive collection, it analyzes both the sociology of Christianity and Christian approaches to sociology, with attention to the Roman Catholic, Orthodox, and Protestant branches of Christianity. An authoritative, state-of-the-art review of current research, it is organized into five inter-connected thematic sections, considering the overlapping emergence of both the Christian religion and the social scienc...
Italian Crime Filmography, 1968-1980
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
