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Language, Nation and Development in Southeast Asia
Papers from a workshop on Language, Nation and Development in Southeast Asia held in Singapore, 2003.
Ekranisasi Awal
In the early 20th century, the Dutch East Indies was a colony in flux. Greater access to education meant an increasingly literate financial elite and, thus, a burgeoning literary industry. The lower class, meanwhile, found its entertainment in stage performances—oral literature often loosely adapted from famous novels. The film industry itself was attempting to find a successful formula, and in its early years faced heavy competition from the theatre. Educated women called for women’s rights and protection of women’s welfare as the economy began to transform from one based on the production of raw goods to one based in manufacturing. In this turbulent background, the social act of adap...
Kesastraan Melayu Tionghoa
Peranakan Chinese-Indonesian literature.
Diasporic Chinese Ventures
This collection of essays by and about Wang Gungwu brings together some of Wang's most recent and representative writing about the ethnic Chinese outside China giving the reader a deeper understanding of his views on migration, identity, nationalism and culture, all key issues in modern Asia's transformation. The book collects interviews, speeches and essays that illustrate the development and direction of Wang's scholarship on ethnic and diasporic Chinese.
Inventing the Performing Arts
Indonesia, with its mix of ethnic cultures, cosmopolitan ethos, and strong national ideology, offers a useful lens for examining the intertwining of tradition and modernity in globalized Asia. In Inventing the Performing Arts, Matthew Isaac Cohen explores the profound change in diverse arts practices from the nineteenth century until 1949. He demonstrates that modern modes of transportation and communication not only brought the Dutch colony of Indonesia into the world economy, but also stimulated the emergence of new art forms and modern attitudes to art, disembedded and remoored traditions, and hybridized foreign and local. In the nineteenth century, access to novel forms of entertainment,...
The Politics of the Periphery in Indonesia
The Politics of the Periphery in Indonesia is a thought-provoking examination of local politics and the dynamics of power at Indonesia's geographic and social margins. After the fall of Suharto in 1998 and the introduction of a policy of decentralization in 2001, local stakeholders secured and consolidated decision-making power, and set about negotiating new relations with Jakarta. The volume deals with power struggles and local-national tensions, looking among other things at resource control, the historical roots of regional identity politics, and issues relating to Chinese-Indonesians. The authors develop information in ways that transcend the post-colonial territorial boundaries of Indonesia in the Malay-Indonesian archipelago, and use case studies to show how the changes described have galvanized Indonesian politics at the cultural and geographical peripheries.
Peranakan Chinese Identities in the Globalizing Malay Archipelago
Peranakan Chinese communities and their “hybrid” culture have fascinated many observers. This book, comprising fourteen chapters, was mainly based on papers written by the author in the last two decades. The chapters address Peranakan Chinese cultural, national and political identities in the Malay Archipelago, i.e., Indonesia, Malaysia and Singapore (IMS). This book is divided into two parts. Part I which is on the regional dimension, contains nine chapters that discuss the three countries and beyond. Part II consists of five chapters which focus on one country, i.e., Indonesia. This book not only discusses the past and the present, but also the future of the Peranakan Chinese.
Chinese Indonesians Reassessed
The book shows how the Chinese minority is much more diverse, and the picture much richer and more complicated, than previous studies have allowed. Subjects covered include the historical development of Chinese communities in peripheral areas of Indonesia, the religious practices of Chinese Indonesians, which are by no means confined to "Chinese" religions, and Chinese ethnic events, where a wide range of Indonesians, not just Chinese, participate.
Minority Stages
Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community’s diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sun...
