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Wit
Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award. Adapted to an Emmy Award-winning television movie, directed by Mike Nichols, starring Emma Thompson. Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish o...
A Study Guide for Margaret Edson's "Wit"
A Study Guide for Margaret Edson's "Wit," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Unravelling the Ribbon
"Rose is thirty-four and lives on a farm with her husband and two children. She worries she may have married too young. Lola is fifty and wants to sell her home. Nobody ever calls, and she has stopped opening her post. Lyndsey is eleven, and her best friend has stopped sitting beside her in art class." "When breast cancer touches their lives, everything starts to unravel - Rose's marriage falls apart, Lola gets arrested, and Lyndsey hides a cooked ham in a thorn bush." "Unravelling the Ribbon by Mary Kelly and Maureen White tells the funny and touching story of these three women, as they interact, separate and come together in a moving, and frequently hilarious tale of friendship and survival. It was premiered in Dublin and co-produced by Plan B Productions and Guna Nua."--BOOK JACKET.
The Problem Body
In The Problem Body, editors Sally Chivers and Nicole Markotic bring together the work of eleven of the best disability scholars from the U.S., the U.K., Canada, and South Korea to explore a new approach to the study of film by concentrating on cinematic representations of what they term "the problem body." The book is a much-needed exploration of the projection of disability on film combined with a much-needed rethinking of hierarchies of difference. The editors turned to the existing corpus of disability theory with its impressive insights about the social and cultural mediation of disabled bodies. They then sought, from scholars at every stage of their careers, new ideas about how disable...
This May Hurt a Bit
"With wit, tenderness and surrealism, Stella Feehily's This May Hurt A Bit explores one family's journey through the digestive system of the NHS and asks: what is the prognosis for this much-loved, fiercely debated institution?"--Page [4] of cover.
Flamingoland
Strong female roles for four actresses. Convincing working-class milieu, set in Leeds.
Drama Ministry
Practical help for church drama directors is only one of the features of this book. The text also includes: directing procedures, advice on building a drama team, actor training tips, script writing, and more, as well as a CD-ROM of staging examples.
In the Great Green Room
The extraordinary life of the woman behind the beloved children’s classics Goodnight Moon and The Runaway Bunny comes alive in this fascinating biography of Margaret Wise Brown. Margaret’s books have sold millions of copies all over the world, but few people know that she was at the center of a children’s book publishing revolution. Her whimsy and imagination fueled a steady stream of stories, book ideas, songs, and poems and she was renowned for her prolific writing and business savvy, as well as her stunning beauty and endless thirst for adventure. Margaret started her writing career by helping to shape the curriculum for the Bank Street School for children, making it her mission to ...
The Playwright's Muse
August Wilson penned his first play after seeing a man shot to death. Horton Foote began writing plays to create parts for himself as an actor. Edward Albee faced commercial pressures to modify his scripts-and resisted. After Wit, Margaret Edson swore off playwriting altogether and decided to keep her day job as a kindergarten teacher, instead. The Playwright's Muse presents never-before-published interviews with some of the greatest names of American drama-all recent winners of the Pulitzer Prize. In these scintillating exchanges with eleven leading dramatists, we learn about their inspirations and begin to grasp how the creative process works in the mind of a writer. We learn how their first plays took shape, how it felt to read their first reviews, and what keeps them writing for theater today. Introductory essays on each playwright's life and work, written by theater artists and scholars with strong professional relationships to their subjects, provide additional insight into the writers' contributions to contemporary theater.
Meet Me Here at Dawn
Poetry. Women's Studies. Eroticism tinged with elegy, gratitude knit with doubt; MEET ME HERE AT DAWN contains an unmistakably open voice. Sophie Klahr's debut poetry collection careens from hunger to hunger. With lyric energy and narrative determination, the poems are missives sent back from a threshold, chronicling disease, the unspoken pains of family, the fabric of an extra-marital affair. "What aperture makes a woman?" Klahr asks in "One Slaughter." In MEET ME HERE AT DAWN, even the unanswerable is unfaltering, every question brightly wrought and necessary. "Sophie Klahr moves through the chambers of the mind and heart like an expert escape artist, keys hidden in the body's coverts are revealed in a 'rush of knowing, ' the body's 'first breaking and entering' that feels both clandestine and disclosive. This is poetry of immense vulnerability and fierce mettle; determined, convincing and heroically alive with courage of every kind."--D.A. Powell
