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In the 1970s, Kelly's transgressive projects helped to instigate conceptual art's second phase; her daring critiques of the female body as a fetishized, allegorized, commodified site were debated long after they were first seen in galleries and discussed in catalogues, and long before the debut of the "bad girls" in the 1990s. In fact, the debates currently surrounding Kelly's work are a necessary and defining element of theoretical discourse about art today.
The last generally acknowledged victim of Jack the Ripper was twenty five year old Irishwoman named Mary Jane Kelly. Or was she? So little is known of this young woman, so thoroughly has she evaded all attempts at researching her life that, in all truth, there is very little we can actually say we know about her. Whilst research has led to significant advances in other areas of the Whitechapel crimes, she remains an enigma. This book pulls together what we can learn and reasonably infer about this most elusive victim of the most elusive killer in criminal history.
An exciting and inspiring animal story, with a delightful Christmas message. Based on a real-life RSPCA rescue, this heartwarming story shows trained RSPCA inspectors working together to create a happy ending for an animal in peril - not to mention a Christmas surprise!
Biographies & Autobiographies.
This book documents an evolving work of conceptual art about the mother-child relationship begun by Mary Kelly during the 70s and exhibited in the 70s & 80s as an installation, with photographs and analyses of the material evidence of her baby's transition from infancy to the beginnings of independence. It introduced an interrogation of subjectivity by using psychoanalytic theory and focusing on the construction of material femininity.
Just before Christmas, Chief Inspector Brett Nightingale is called to a drab, gloomy flat off Islington High Street, where the body of an elderly woman has been discovered. But this is no ordinary corpse - it is that of Princess Olga Karukhin, who fled Russia after the Revolution, and had existed in terror of being discovered ever since. Though she lived modestly, there is evidence that she had a small hoard of valuable jewellery and objets d'art from her life before - items which are now missing. With the suggestion of a robbery before him, Nightingale must investigate the mysterious life and death of the princess...
"Rose is thirty-four and lives on a farm with her husband and two children. She worries she may have married too young. Lola is fifty and wants to sell her home. Nobody ever calls, and she has stopped opening her post. Lyndsey is eleven, and her best friend has stopped sitting beside her in art class." "When breast cancer touches their lives, everything starts to unravel - Rose's marriage falls apart, Lola gets arrested, and Lyndsey hides a cooked ham in a thorn bush." "Unravelling the Ribbon by Mary Kelly and Maureen White tells the funny and touching story of these three women, as they interact, separate and come together in a moving, and frequently hilarious tale of friendship and survival. It was premiered in Dublin and co-produced by Plan B Productions and Guna Nua."--BOOK JACKET.
PI Kelly Pruett finally feels like she's coming into her own. With her personal life well on track, a gig uncovering what drove a client's granddaughter underground could be good for business. But after her undercover operation at the homeless shelter reveals rampant drug dealing, she's suddenly kicked off the case... just as another girl goes missing. Vowing to expose the truth even if it means pro-bono work, Kelly is taken aback when her half-sister helps her hunt down answers in a tent city brimming with distrust. When her investigation doesn't move quickly enough to save a second woman from a vicious murder, Kelly doubles her efforts unwilling to accept defeat.