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Meet Me Here at Dawn
Poetry. Women's Studies. Eroticism tinged with elegy, gratitude knit with doubt; MEET ME HERE AT DAWN contains an unmistakably open voice. Sophie Klahr's debut poetry collection careens from hunger to hunger. With lyric energy and narrative determination, the poems are missives sent back from a threshold, chronicling disease, the unspoken pains of family, the fabric of an extra-marital affair. "What aperture makes a woman?" Klahr asks in "One Slaughter." In MEET ME HERE AT DAWN, even the unanswerable is unfaltering, every question brightly wrought and necessary. "Sophie Klahr moves through the chambers of the mind and heart like an expert escape artist, keys hidden in the body's coverts are revealed in a 'rush of knowing, ' the body's 'first breaking and entering' that feels both clandestine and disclosive. This is poetry of immense vulnerability and fierce mettle; determined, convincing and heroically alive with courage of every kind."--D.A. Powell
Slow Lightning
Announcing the newest winner of the oldest annual literary prize in the United States
The Inverted Forest
Late on a warm summer night in rural Missouri, an elderly camp director hears a squeal of joyous female laughter and goes to investigate. At the camp swimming pool he comes upon a bewildering scene: his counselors stripped naked and engaged in a provocative celebration. The first camp session is set to start in just two days. He fires them all. As a result, new counselors must be quickly hired and brought to the Kindermann Forest Summer Camp. One of them is Wyatt Huddy, a genetically disfigured young man who has been living in a Salvation Army facility. Gentle and diligent, large and imposing, Wyatt suffers a deep anxiety that his intelligence might be subnormal. All his life he’s been mis...
Two Open Doors in a Field
The poems of Two Open Doors in a Field are constructed through deliberate limitations, restlessly exploring place, desire, and spirituality. A profusion of sonnets rises from a single circumstance: Sophie Klahr's experience of driving thousands of miles alone while listening to the radio, where unexpected landscapes make listening to the unexpected more acute. Accompanied by the radio, Klahr's experience of land is transformed by listening, and conversely, the body of the radio is sometimes lost to the body of the land. The love story at the core of this work, Klahr's bond with Nebraska, becomes the engine of this travelogue. However far the poems range beyond Nebraska, they are tethered to an environment of work and creation, a place of dirt beneath the nails where one can see every star and feel, acutely, the complexity of connection.
Blueprint, with a new afterword
A top behavioral geneticist makes the case that DNA inherited from our parents at the moment of conception can predict our psychological strengths and weaknesses. In Blueprint, behavioral geneticist Robert Plomin describes how the DNA revolution has made DNA personal by giving us the power to predict our psychological strengths and weaknesses from birth. A century of genetic research shows that DNA differences inherited from our parents are the consistent lifelong sources of our psychological individuality—the blueprint that makes us who we are. Plomin reports that genetics explains more about the psychological differences among people than all other factors combined. Nature, not nurture, is what makes us who we are. Plomin explores the implications of these findings, drawing some provocative conclusions—among them that parenting styles don't really affect children's outcomes once genetics is taken into effect. This book offers readers a unique insider's view of the exciting synergies that came from combining genetics and psychology. The paperback edition has a new afterword by the author.
Bestiary
Donika Kelly's fierce debut collection, longlisted for the 2016 National Book Award and winner of the 2015 Cave Canem Poetry Prize I thought myself lion and serpent. Thought myself body enough for two, for we. Found comfort in never being lonely. What burst from my back, from my bones, what lived along the ridge from crown to crown, from mane to forked tongue beneath the skin. What clamor we made in the birthing. What hiss and rumble at the splitting, at the horns and beard, at the glottal bleat. What bridges our back. What strong neck, what bright eye. What menagerie are we. What we've made of ourselves. --from "Love Poem: Chimera" Across this remarkable first book are encounters with anima...
Blue Colonial
Here is a poet's true evocation of time, of the fact that we all are destined to live in the puzzling, enticing tragi-comedy of our cultural and personal origins. David Roderick has imagined that destiny in a memorable new way. --Robert Pinsky.
The Refusal of Suitors
Poetry. Asian American Studies. THE REFUSAL OF SUITORS draws on Penelope and her loom to engage the landscapes, wants, forms, and ultimately the repetitions and variations of contemporary urban life. Through varying styles, voices, and layouts, these poems move collectively with a sonic force, the "pure acoustics of declaratives," through "a night that begins / with our falling asleep, the wet paragraph that he aspirates," with a visionary amalgam of phenomenon and symbol. From long-lined, romantic odes to tight, pictorial meditations akin to classical Asian poetry from the jocular to the reposed to the amorous to the despondent these are poems that are never satisfied, that relish the "sweet chorea of the longest day."
Two Open Doors in a Field
Through sonnets and a long sequence, the poems of Two Open Doors in a Field are constructed with deliberate limitations, restlessly exploring place, desire, and spirituality.
The Irrationalist
The Irrationalist is the acclaimed follow-up to the award-winning poetry collection, Past Imperfect, from one of Canada's best poets. At once whimsical and heartbreaking, these eccentric lyrics investigate the shifting grounds of knowledge while refusing to take any authority -- be it Epictetus, Therese de Lisieux, Nicolaus Copernicus, Ma Yuan, or the fugitive spectre of self, to name only a few of the volume's dramatis personae -- too seriously. Here one inhabits a world on the eve of extinction, in which "astronomers predict a 'Big Rip' in the cosmos resulting in a cold, dark, never-ending end," and yet the darkness is continually illuminated by a pyrotechnics of curiosity, candor, and wit.
