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American painter James McNeill Whistler probably never expected the portrait of his mother that graces the cover of this book to become a cultural icon. Begun on a whim when another model failed to show up for a session, the painting, familiarly known simply as "Whistler's Mother," has become one of the best known and most beloved in the world and now hangs in the Musee d'Orsay in Paris. Nor, we can be sure, did Anna McNeill Whistler expect that her "cook book" would one day be published and thereby enjoyed by myriad readers beyond her own family. Irreverently referred to by her son as her "Bible," the manuscript book was kept faithfully by Mrs. Whistler of many years and contained recipes f...
This illustrated book and the associated exhibition at the Frick Collection examine Whistler's depiction of women and in particular the aspect of dress and fashion as important elements in his pictures. Several authors apply their talents as historians of art and costume to explore the place of dress in Whistler's oeuvre. Themes treated include Whistler the dandy, Victorian modes of dress, Oriental and Aesthetic Movement influences, female portraiture and the artist/model relationship.
In "Palaces in the Night", MacDonald looks at a key period in James Whistler's career, examining his unique vision of Venice and his development of the medium of etching. 120 illustrations.
A fascinating look at the partnership of artist James McNeill Whistler and his chief model, Joanna Hiffernan, and the iconic works of art resulting from their life together “[A] lavish volume. . . . Illuminating. . . . MacDonald’s deep research has . . . unearthed important new facts.”—Gioia Diliberto, Wall Street Journal In 1860 James McNeill Whistler (1834–1903) and Joanna Hiffernan (1839–1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler’s works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, cl...
Catalog of the exhibition of the same name held at: Dulwich Picture Gallery, London, from October 16, 2013, through January 12, 2014; Addison Gallery of American Art, Philips Academy, Andover, Massachusetts, from February 1, 2013, through April 13, 2014; and Freer Gallery of Art, Smithsonian Institution, Washington, D. C., May 2-17, 2014.
Website includes biographical details.
This is a study of how women figured in public reaction to the church from New Testament times to Christianity's encounter with the pagan critics of the second century CE. The reference to a hysterical woman was made by the most prolific critic of Christianity, Celsus. He was referring to a follower of Jesus - probably Mary Magdalene - who was at the centre of efforts to create and promote belief in the resurrection. MacDonald draws attention to the conviction, emerging from the works of several pagan authors, that female initiative was central to Christianity's development; she sets out to explore the relationship between this and the common Greco-Roman belief that women were inclined towar...
At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, which we now refer to as The Glasgow Style. While the "Glasgow Boys" group of painters has been widely written about, their female contemporaries have received far less attention. In this work, the editor redresses this imbalance, bringing together research from 18 scholars on the work of an astonishing number of female artists from this period.