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A New Light on Tiffany
Louis Comfort Tiffany (1848-1933) is celebrated today as one of the most influential creative designers of the late 19th- and early 20th-centuries. A New Light on Tiffany: Clara Driscoll and the Tiffany Girls presents the celebrated works of Tiffany Studios in an entirely new context, focusing on the "Tiffany Girls", the 27 women who laboured behind the scenes to create the masterpieces now inextricably linked to the Tiffany name. Recently discovered correspondence written by Ohio-born Clara Driscoll, head of the so-called "Women's Glass Cutting Department" at Tiffany Studios, reveals in convincing and vivid detail how it was in fact Driscoll who generated designs for such masterpieces as the famous Wisteria, Dragonfly and Peony goods. At the heart of the book are over 50 Tiffany lamps, windows, ceramics, enamels and mosaics, supplemented by a wide array of related documents and archival photographs.
Harbor & Home
Presented for the first time, the richly illustrated findings of the Southeastern Massachusetts Furniture project at Winterthur Museum
The Man Who Had Been King
Joseph Bonaparte, King of Naples and Spain, claimed that he had never wanted the overpowering roles thrust upon him by his illustrious younger brother Napoleon. Left to his own devices, he would probably have been a lawyer in his native Corsica, a country gentleman with leisure to read the great literature he treasured and oversee the maintenance of his property. When Napoleon's downfall forced Joseph into exile, he was able to become that country gentleman at last, but in a place he could scarcely have imagined. It comes as a surprise to most people that Joseph spent seventeen years in the United States following Napoleon's defeat at Waterloo. In The Man Who Had Been King, Patricia Tyson St...
The Lamps of Tiffany Studios
The radiant and beloved masterworks of leaded glass from the Gilded Age. Louis C. Tiffany’s intricate and brilliantly colored masterpieces have captivated collectors for decades, and continue to inspire crafters who re-create them in home workshops today. This collection showcases eighty of the firm’s most iconic lamps, including rare and one-of-a-kind creations. These examples have all been newly photographed in sumptuous detail to reveal features in the glass and metalwork that have never been seen before in print. Intricate patterns dazzle with kaleidoscopic fantasies: wisteria that twists and curls with grace, peonies that explode with color, and dragonflies that dance with the light...
An Uncommon Cape
When Eleanor Phillips Brackbill bought her suburban Westchester house in 2000, three mysteries came with it. First, from the former owner, came the information that the 1930s house was "a Sears house or something like that." Thrilled to think it might be a Sears, Roebuck & Co. mail-order house, Brackbill was determined to find evidence to prove it. She found instead a house pedigree of a different sort. Second, and even more provocative, was the discovery of several iron stakes protruding from the property's enormous granite outcropping, bigger in square footage than the house itself. When queried about them, the former owner told her, "Someone a long time ago kept monkeys there, chained to ...
Shrewsbury
Settled in 1665 as one of the Two Towns of the Navesink, the township of Shrewsbury, New Jersey, played an important role in the development of Monmouth County. One of the most historically significant areas in the region, the original vast expanse of Shrewsbury Townshipaorganized in 1693ahas since evolved into an attractive 2.3-square-mile residential borough. In this vivid photographic history, author Randall Gabrielan has brought together over two hundred vintage images that convey the special character of Shrewsbury through the years. Many of the organizations, people, and buildings that fostered the evolution of the community are represented here, and informative, well-researched captions document their individual historical contributions.
Women, Collecting, and Cultures Beyond Europe
This book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections ...
Old House Interiors
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
Once Upon a Time
"Once Upon a Time reawakens the joys of childhood reading - of seeing a story come alive in words and pictures, both on the printed page and in our nascent imaginations. Drawing upon the outstanding collection of Victorian-era children's books amassed by Ellen Liman and her late husband, Arthur, this book presents over three hundred irresistible images. In her text Amy Weinstein retells the timeless tales they illustrate and reveals their deep relevance to readers of yesterday and today."--BOOK JACKET.
Art for the Millions
American art in the 1930s—intertwined with the political, social, and economic tumult of an era not so unlike our own—engaged with the public amid global upheaval. This publication examines the search for artistic identity in the United States from the stock market crash of 1929 that began the Great Depression to the closure of the Works Progress Administration in 1943 with a focus on the unprecedented dissemination of art and ideas brought about by new technology and government programs. During this time of civil, economic, and social unrest, artists transmitted political ideas and propaganda through a wide range of media, including paintings and sculptures, but also journals, prints, t...
