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Gideon Makepeace, a young man of twenty, knows who he is and what he likes: decency, men and women too, horse training, and fun... and in Livingston, Montana, in the lush autumn of 1895, he finds he likes a Lakota Sioux Indian better than he might ought to. Jedediah Buffalo Bird is seriously wounded and seeking medical care, and Gideon helps Jed when some bigoted townsfolk might have done otherwise. Jed, who knows the wild far better than Gideon and feels indebted to him, agrees to repay him by being his guide to San Francisco. Their trip takes them across thousands of wild miles, through the mountains men mine and the Indian reservations dotting the plains. Facing a majestic West, they learn from each other about white folks and Indians alike. Gideon s interest in Jed is clear from the start, but will Jed give up the life he knows for a young, brash white man he has perhaps come to love? Or will he push Gideon away in favor of the peace of nature and the personal freedom of having nothing to lose?
Set in a turbulent period of goldfields' history, The Nine Lives of Kitty K. paints a vivid picture of pioneer life as told by the sons and daughters of those who lived it and survived the terrible Depression of the 1890s. Kitty Kirk (1855-1930), arguably the toughest woman in Otago history, endured those times, supporting herself as a woman alone. Happiness was followed by tragedy, fame by infamy, and the circle was repeated more than once. Some locals called her a heroine, others called her a harlot. Whichever she was, she became a legend in her own lifetime for her daring deeds that are still remembered and talked about ninety years after her death.
The most recent volume of this distinguished annual
St. Paul's Parish, which occupies land in what is now King George County, was in Stafford County until 1777. Since most of the early records of Stafford County were destroyed, the 4,000 birth, marriage, and death records found in this transcription are of great importance.
This edited volume offers the first comprehensive collection devoted to the study of Slavic gender linguistics by a team of international Slavic linguists. It features eleven highly-original, data-driven contributions representing a variety of approaches to this understudied and underrepresented area of contemporary Slavic linguistics. For those working specifically in the field of gender linguistics, the collection presents the first English-language introduction to this vital area of sociolinguistic research based upon findings from contemporary Russian, Polish, Czech and other Slavic languages. For Slavic linguists, it presents a ground-breaking collection of sociolinguistic studies which...
This number of Yeats Annual collects the essays resulting from the University College Cork/ESB International Annual W. B. Yeats Lectures Series (2003-2008) by Roy Foster, Warwick Gould, John Kelly, Paul Muldoon, Bernard O’Donoghue and Helen Vendler. Those that were available in pamphlet form are now collectors’ items, but here is the complete series. These revised essays cover such themes as Yeats and the Refrain, Yeats as a Love Poet, Yeats, Ireland and Europe, the puzzles he created and solved with his art of poetic sequences, and his long and crucial interaction with the emerging T. S. Eliot. The series was inaugurated by a study of Yeats and his Books, which marked the gift to the Bo...
In Acts of Resistance in Late-Modernist Theatre, Richard Murphet presents a close analysis of the theatre practice of two ground-breaking artists – Richard Foreman and Jenny Kemp – active over the late twentieth and the early twenty-first century. In addition, he tracks the development of a form of ‘epileptic’ writing over the course of his own career as writer/director. Murphet argues that these three auteurs have developed subversive alternatives to the previously dominant forms of dramatic realism in order to re-think the relationship between theatre and reality. They write and direct their own work, and their artistic experimentation is manifest in the tension created between their content and their form. Murphet investigates how the works are made, rather than focusing upon an interpretation of their meaning. Through an examination of these artists, we gain a deeper understanding of a late modernist paradigm shift in theatre practice.
Reprint of the original, first published in 1860.
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.