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St. Paul's Parish, which occupies land in what is now King George County, was in Stafford County until 1777. Since most of the early records of Stafford County were destroyed, the 4,000 birth, marriage, and death records found in this transcription are of great importance.
The most recent volume of this distinguished annual
Set in a turbulent period of goldfields' history, The Nine Lives of Kitty K. paints a vivid picture of pioneer life as told by the sons and daughters of those who lived it and survived the terrible Depression of the 1890s. Kitty Kirk (1855-1930), arguably the toughest woman in Otago history, endured those times, supporting herself as a woman alone. Happiness was followed by tragedy, fame by infamy, and the circle was repeated more than once. Some locals called her a heroine, others called her a harlot. Whichever she was, she became a legend in her own lifetime for her daring deeds that are still remembered and talked about ninety years after her death.
Gideon Makepeace, a young man of twenty, knows who he is and what he likes: decency, men and women too, horse training, and fun... and in Livingston, Montana, in the lush autumn of 1895, he finds he likes a Lakota Sioux Indian better than he might ought to. Jedediah Buffalo Bird is seriously wounded and seeking medical care, and Gideon helps Jed when some bigoted townsfolk might have done otherwise. Jed, who knows the wild far better than Gideon and feels indebted to him, agrees to repay him by being his guide to San Francisco. Their trip takes them across thousands of wild miles, through the mountains men mine and the Indian reservations dotting the plains. Facing a majestic West, they learn from each other about white folks and Indians alike. Gideon s interest in Jed is clear from the start, but will Jed give up the life he knows for a young, brash white man he has perhaps come to love? Or will he push Gideon away in favor of the peace of nature and the personal freedom of having nothing to lose?
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).
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In Acts of Resistance in Late-Modernist Theatre, Richard Murphet presents a close analysis of the theatre practice of two ground-breaking artists – Richard Foreman and Jenny Kemp – active over the late twentieth and the early twenty-first century. In addition, he tracks the development of a form of ‘epileptic’ writing over the course of his own career as writer/director. Murphet argues that these three auteurs have developed subversive alternatives to the previously dominant forms of dramatic realism in order to re-think the relationship between theatre and reality. They write and direct their own work, and their artistic experimentation is manifest in the tension created between their content and their form. Murphet investigates how the works are made, rather than focusing upon an interpretation of their meaning. Through an examination of these artists, we gain a deeper understanding of a late modernist paradigm shift in theatre practice.