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No Turning Back
No Turning Back, Margaret Milardo’s second novel featuring a young woman named Brandi, is a riveting narrative in which Brandi faces a series of challenges, including a new love after the death of her former boyfriend, a college internship as a tutor that ends with one of her students fighting for his life in a hospital and another fleeing a criminal investigation, and an attempted sexual assault. Throughout, Brandi struggles to balance realism and idealism in the aftermath of her earlier struggles to escape what has threatened to become a dead-end street for her. —Edward J. Rielly, Professor of English and Director of the Writing and Publishing Program, St. Joseph’s College of Maine
Brandi
High school student Brandi struggles to rise above her troubled background and survive the trials of her teen years.
Boundaries
Brandi’s childhood was far from perfect, as she was shunted from one foster home to another before eventually ending up on the streets of Portland, Maine. The associated violence, inevitable encounters with the law, and time in a youth correctional institution could have seen her spiral into an endless pit of despair, but from somewhere she found the inner strength to succeed against the odds. A caring mentor and her own persistence meant that she was able to graduate from high school and go on to study law. And with a seemingly perfect fiancé in Jay, Brandi imagined her life was complete, and a bright future lay ahead. But one moment of infidelity was to shatter her dreams in an instant....
Evening Street Review Number 30
Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year-round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-4819. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): editor@eveningstreetpress.com. For submission guidelines, subscription information, published works, and author profiles, please visit our website: www.eveningstreetpress.com.
Evening Street Review Number 8
Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor's copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 7652 Sawmill Rd., #352, Dublin, OH 43016-9296. Email submissions are also acceptable, and may be sent to the following address as attached Microsoft Word or RTF files: editor@eveningstreetpress.com.
Cement Shoes
Winner of the 2013 Sinclair Poetry Prize: Early in Judy Ireland’s debut collection, in “Lot’s Wife,” the speaker laments “how unfair it was/to turn her into a pillar of salt when all she was doing/was looking.” Daring to look back carries risks—whether it’s seeing an Iowa landscape where “Seven AM hog reports on the radio” become a young girl’s “cement shoes” or a father who “voted for Nixon” and whose “shame for me/was a big flashlight” nonetheless lives on “in the dim sun/of my yearning”—but so does looking at the present carry risk, for a lover may suddenly announce as if she were “someone saying, ‘I’m partial to strawberries’” that she’...
What Winter Means
Winner, Grassic Short Novel Prize 2016 What Winter Means, Deena Linett's third novel, brings five women of different ages, backgrounds, and ethnicities together who have won prestigious fellowships to a fictive library outside Boston. As these very different women move through time and experience, each brings her complex history to surprising events in the present. With her marvelously supple prose, and fluid, almost musical structure, Linett's richly layered descriptions of her characters give this short novel an impressive spaciousness. —K.C. Frederick, winner of the PEN/Winship Prize and five other novels A New York painter who was born in South Africa, a proper Protestant New Englander...
Mola ... Person
“A lesson in history, almost. A lesson in anthropology, tradition, and roots, almost. A lesson in the power of poetry to rend and blend reality and imagination until they become indistinguishable from each other, certainly. Who is the clone of whom? Who is the real child and grown-up artist? Dr. Lynn Veach Sadler’s exquisite handling of language tools and penetrating research into the subject matter of this chapbook and her unique way of mixing what we know and what we think we know provide us with a landscape that necessitates only the closing of eyes in order to transport us to this world of blurred colors and blurred consciousness. Along the way, we get an ‘answer’ for what happen...
American Accent
Dominika Wrozynski’s American Accent is a gorgeous discovery of riches, personal in its moving narratives of love and loss, cosmopolitan in sensibility and range. An opening sequence that explores inherited trauma (Wrozynski’s Polish mother was maimed during WWII) is riveting, and as a whole, the volume adroitly balances the darker moments (the veteran who cannot forget the “charred bodies” he saw in Kuwait) with the wondrous (Patrick Swayze in New Mexico in a balloon!). American Accent comprises a work of lyric witness in poetry redolent with humane truths and beauty. That’s all you need to know. –Cynthia Hogue, author of In June the Labyrinth What makes us Americans? Dominika W...
Personal Networks
Combines classic and cutting-edge scholarship on personal social networks. A must-have resource for both newcomers and seasoned experts.
