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The Scroll and the Marble
Seminal essays from one of the most prominent scholars of Hellenistic poetry
The Ptolemies, the Sea and the Nile
With its emphasis on the dynasty's concern for control of the sea – both the Mediterranean and the Red Sea – and the Nile, this book offers a new and original perspective on Ptolemaic power in a key period of Hellenistic history. Within the developing Aegean empire of the Ptolemies, the role of the navy is examined together with that of its admirals. Egypt's close relationship to Rhodes is subjected to scrutiny, as is the constant threat of piracy to the transport of goods on the Nile and by sea. Along with the trade in grain came the exchange of other products. Ptolemaic kings used their wealth for luxury ships and the dissemination of royal portraiture was accompanied by royal cult. Alexandria, the new capital of Egypt, attracted poets, scholars and even philosophers; geographical exploration by sea was a feature of the period and observations of the time enjoyed a long afterlife.
Nonnus of Panopolis in Context III
Nonnus of Panopolis (5th c. AD), the most important Greek poet of Late Antiquity, is best known for his Dionysiaca, a grand epic that gathers together all myths associated with Dionysus, god of wine and mysteries. The poet also authored the Paraphrase of St. John’s Gospel which renders the Fourth Gospel into sophisticated hexameter verse. This volume, edited by Filip Doroszewski and Katarzyna Jażdżewska, brings together twenty-six essays by eminent scholars that discuss Nonnus’ cultural and literary background, the literary techniques and motifs used by the poet, as well as the composition of the Dionysiaca and the exegetical principles applied in the Paraphrase. As such, the book will significantly deepen our understanding of literary culture and religion in Late Antiquity.
Variation, Contact, and Reconstruction in the Ancient Indo-European Languages
The collected papers in this book address an array of important issues in the field of Historical Linguistics and, specifically, Indo-European Linguistics, including different theoretical approaches and innovative methodologies for studying language organization and change, building on the strict relationship between Linguistics and Philology. The papers provide significant contributions to the understanding of aspects of variation, contact and reconstruction, reflect a wide range of perspectives, and focus on issues and data from a large variety of languages. The themes that emerge from the papers center around two main research lines: 1. the relationship between language facts and historical accidents; 2. the relationship between grammatical categories and conceptual representations. The book is of interest for any reader seeking to gain insight into the nature of language organization and change.
Where Dreams May Come (2 vol. set)
Where Dreams May Come was the winner of the 2018 Charles J. Goodwin Award of Merit, awarded by the Society for Classical Studies. In this book, Gil H. Renberg examines the ancient religious phenomenon of “incubation", the ritual of sleeping at a divinity’s sanctuary in order to obtain a prophetic or therapeutic dream. Most prominently associated with the Panhellenic healing god Asklepios, incubation was also practiced at the cult sites of numerous other divinities throughout the Greek world, but it is first known from ancient Near Eastern sources and was established in Pharaonic Egypt by the time of the Macedonian conquest; later, Christian worship came to include similar practices. Renberg’s exhaustive study represents the first attempt to collect and analyze the evidence for incubation from Sumerian to Byzantine and Merovingian times, thus making an important contribution to religious history. This set consists of two books.
Brill’s Companion to Greek and Latin Epyllion and Its Reception
In classical scholarship of the past two centuries, the term “epyllion” was used to label short hexametric texts mainly ascribable to the Hellenistic period (Greek) or the Neoterics (Latin). Apart from their brevity, characteristics such as a predilection for episodic narration or female characters were regarded as typically “epyllic” features. However, in Antiquity itself, the texts we call “epyllia” were not considered a coherent genre, which seems to be an innovation of the late 18th century. The contributions in this book not only re-examine some important (and some lesser known) Greek and Latin primary texts, but also critically reconsider the theoretical discourses attached to it, and also sketch their literary and scholarly reception in the Byzantine and Middle Ages, the Renaissance, and the Modern Age.
Sensing Greek Drama
Sensing Greek Drama explores ancient Greek tragedy and comedy through the lens of the senses. It works within and beyond a number of recent developments in the scholarship of Classics and related fields. The individual chapters engage with the senses in drama in manifold ways: through various theoretical frameworks borrowed from kindred fields in the humanities and sciences – postmodernism, humanism, feminism, phenomenology, cognitive theory and neuroscience, to name a few – as well as through the more traditional approaches within Classics, including philology, historicism, performance studies and reception. Above all, Sensing Greek Drama serves as a call to “to recover our senses”, as Susan Sontag wrote in her famous essay “Against Interpretation”, in a modern age characterized by sensory overload and deprivation.
A Companion to Ancient Epigram
A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion t...
Greek and Roman Slaveries
Greek and Roman Slaveries Slavery was foundational to Greek and Roman societies, affecting nearly all of their economic, social, political, and cultural practices. Greek and Roman Slaveries offers a rich collection of literary, epigraphic, papyrological, and archaeological sources, including many unfamiliar ones. This sourcebook ranges chronologically from the archaic period to late antiquity, covering the whole of the Mediterranean, the Near East, and temperate Europe. Readers will find an interactive and user-friendly engagement with past scholarship and new research agendas that focuses particularly on the agency of ancient slaves, the processes in which slavery was inscribed, the changing history of slavery in antiquity, and the comparative study of ancient slaveries. Perfect for undergraduate and graduate students taking courses on ancient slavery, as well as courses on slavery more generally, this sourcebook's questions, cross-references, and bibliographies encourage an analytical and interactive approach to the various economic, social, and political processes and contexts in which slavery was employed while acknowledging the agency of enslaved persons.
Munere mortis
Colin Austin (1941–2010), Professor of Greek at Cambridge and distinguished editor of poetic texts, was renowned for the precision and brilliance of his scholarship. This collection of studies, offered by some of his pupils, aims to honor his memory. The papers combine philology and textual criticism with a strong interest in setting the works under examination in their literary and cultural context. Individual contributions are devoted to the establishment of the text of the comic poet Menander and the epigrammatist Posidippus of Pella, while one chapter offers a new critical edition of and the first detailed commentary on a number of erotic epigrams. Other essays explore poetic, performative and narratological features in Socratic works of Plato and Xenophon. The volume also includes an analysis of the trope of pathetic fallacy in the bucolic poem Epitaph for Bion and a study of the concept of ‘frigidity’ in ancient literary criticism.
