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Changing Pictures
This is the first extensive art historical study on the discoloration of old master paintings, concentrating on oil paintings from the 15th to the 17th centuries.
Theorie en praktijk
Back cover: "De Nederlandse schilderkunst van de zeventiende eeuw blijft fascineren. De Tachtigjarige Oorlog maakte dat mensen in grote groepen van Zuid- naar Noord-Nederland trokken. De bevolking van de Noord-Nederlandse steden groeide explosief, het aantal schilders verveelvoudigde zich en de productie moet enorm zijn geweest. Kunnen we tot een beter begrip van de stormachtige ontwikkeling van de schilderkunst komen? Het beroep was gebonden aan de regels van het gilde, de leerling werd in het vak opgeleid en er moeten beroepsgeheimen hebben gegolden. Toch is er hier en daar over geschreven. Er worden aspecten genoemd, zoals het bedenken van een voorstelling, het tekenen van de vormen, de plaatsing in het vlak, het kleurgebruik. Een vast omlijnde theorie van de schilderkunst is er tot in de achttiende eeuw niet van gekomen. We moeten het doen met gegevens uit verspreide geschriften en toevallige publicaties. Hessel Miedema heeft deze bij elkaar gebracht".
The Learned Eye
The 'learned eye' or oculus eruditus was a concept used by seventeenth-century writers on painting. It illustrated their view that the ideal artist was not only skilled in painting techniques, but also had knowledge of the history of art and an interest i.
Der sokratische Künstler
Im Fokus der Studie steht eine neue Deutung von Rembrandts Nachtwache aus dem Jahre 1642. Zentral ist dabei die Auseinandersetzung des Malers mit der klassizistischen Kunsttheorie von Franciscus Junius. Dessen Werk "De pictura veterum" war 1637 in lateinischer und 1641 in niederländischer Sprache erschienen. So lautet die These, dass Rembrandts Gruppenporträt auf eine Kritik italienisch-klassizistischer Imitatio-Konzepte zielt und zugleich Werke der Antike und der italienischen Hochrenaissance ironisiert. Der Leidener Maler orientiert sich an Raffaels Schule von Athen, um damit implizit die Frage angemessener und unangemessener Nachahmung zu stellen. Die Studie insgesamt will zeigen, wie d...
Art and Allegiance in the Dutch Golden Age
In the early 1650s Ferdinand Bol produced a series of wall-covering paintings. This 'painted chamber' is a unique example of a branch of the art of painting which was extremely popular in the seventeenth century, although hardly any of it now remains. Bol's ensemble has always been surrounded by mysteries. Who was the initial owner, what was the reason for its commission and how were the ceiling-high canvases originally placed? Through a combination of material-technical research and archival, stylistic, iconographic and cultural-historical investigation these questions have for the first time been given convincing answers. This book, with Bol's unique ensemble in the lead role, is the accou...
Pigments
A concise illustrated history of one of art's most important and elusive elements Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed lig...
Literature and Artistic Practice in Sixteenth-Century Italy
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
PRINT! ARCHITECTURE
We live in a time when 3D printing has matured from a hobbyist and prototyping tool to a technology with potential to disrupt entire industries in and around the built environment. The developments in additive manufacturing are transforming architecture and design no less than they impact engineering and construction. The book portrays the rapid advances in research and industrial processes that have paved the road for this upheaval. In five chapters that cover historical development, engineering aspects, the digital design process, interactions with other technologies and potential for functionalization through additive manufacturing, the editors have curated a text that illustrates how a complex network of actors inspires and influences each other to make thistechnological transformation possible. The book follows the trail of scientists who prove the technology's viability and documents design explorations, prototypes and entire buildings that are demonstrating their readiness for the commercial market.
The Life of Breath in Literature, Culture and Medicine
This open access book studies breath and breathing in literature and culture and provides crucial insights into the history of medicine, health and the emotions, the foundations of beliefs concerning body, spirit and world, the connections between breath and creativity and the phenomenology of breath and breathlessness. Contributions span the classical, medieval, early modern, Romantic, Victorian, modern and contemporary periods, drawing on medical writings, philosophy, theology and the visual arts as well as on literary, historical and cultural studies. The collection illustrates the complex significance and symbolic power of breath and breathlessness across time: breath is written deeply into ideas of nature, spirituality, emotion, creativity and being, and is inextricable from notions of consciousness, spirit, inspiration, voice, feeling, freedom and movement. The volume also demonstrates the long-standing connections between breath and place, politics and aesthetics, illuminating both contrasts and continuities.
Conservation of Books
Conservation of Books is the highly anticipated reference work on global book structures and their conservation, offering the first modern, comprehensive overview on this subject. The volume takes an international approach to its subject. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illu...
