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"... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.'" -- Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, cre...
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a gene...
In 2004 Liberal Women was shortlisted for the NSW Premier's History Awards.When Menzies formed the modern Liberal Party out of the squabbling rabble of the UAP in 1944, he had to cede to the women's organisations formal representation and real power. Liberal Women is the story of why. It is a tale of strong, vocal, persistent women who carried the liberal flame across Australia in the first half of the 20th century while the men split and merged, and talked and merged and split again. It is the story of women who grasped the implications of the female suffrage that followed Federation in a way that no others did: winning elections meant winning the female vote; and delivering the female vote...
In 1933, Sheila McClemans and Molly Kingston, refused employment elsewhere, set up Western Australia's first all female law firm. Sheila went on to become one of the State's most distinguished daughters. She was wartime director of the Women's Royal Naval Service; national president of the Australian Federation of University Women; secretary of the WA Law Society; and foundation member of the WA Legal Aid Commission, of the State Parole Board, and of the WA committee administering the Commonwealth Canteens Trust Fund. She was awarded an OBE, a CMG, and the Silver Jubilee Medal. But she was denied the traditional rewards of the legal world. Not QC, not Judge, not Dame. Not even pre-selection for MP. This is Sheila's story. Feisty, entertaining, outspoken, Lloyd Davies does full justice to a remarkable story.
Civil liberties are central to the freedoms that Australians value. They affirm the rights of all to protection from arbitrary authority and enable minorities to flourish; but they have also frequently been disputed. From arguments over censorship in the 1930s to present-day debates on mandatory sentencing, the concept of civil liberties - and its impact on our everyday lives - is a recurring motif of public life. Liberty is packed with new insights into the way civil liberties have been understood in Australia, tracing the formation of the Australian Council for Civil Liberties (ACCL), and it.
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This practical manual for teaching acting is really a drama course or two in a book, and can be used by veteran teachers, new teachers, actors from junior high through college, and little theater groups. Written by an award-winning high school drama teacher with over twenty-five years of experience, it contains both an introductory course and an advanced course, in a lesson-by-lesson format, as well as sections on scene study and relaxation/warm-up exercises which are basic to both. These separate courses are sequential and cumulative but complement each other and are adaptable to any group. Each lesson - twenty-nine in the beginning course, and forty in the advanced - includes lists of mate...